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This newly expanded and revised second edition of That's the Joint! brings together the most important and up-to-date hip-hop scholarship in one comprehensive volume. Presented thematically, the selections address the history of hip-hop, identity politics of the "hip-hop nation," debates of "street authenticity," social movements and activism, aesthetics, technologies of production, hip-hop as a cultural industry, and much more. Further, this new edition also includes greater coverage of gender, racial diversity in hip-hop, hip-hop's global influences, and examines hip-hop's role in…mehr

Produktbeschreibung
This newly expanded and revised second edition of That's the Joint! brings together the most important and up-to-date hip-hop scholarship in one comprehensive volume. Presented thematically, the selections address the history of hip-hop, identity politics of the "hip-hop nation," debates of "street authenticity," social movements and activism, aesthetics, technologies of production, hip-hop as a cultural industry, and much more. Further, this new edition also includes greater coverage of gender, racial diversity in hip-hop, hip-hop's global influences, and examines hip-hop's role in contemporary politics. With pedagogical features including author biographies, headnotes summarizing key points of articles, and discussion questions, That's the Joint! is essential reading for anyone seeking deeper understanding of the profound impact of hip-hop as an intellectual, aesthetic, and cultural movement.
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Autorenporträt
Murray Forman is Associate Professor of Communication Studies at Northeastern University. He is the author of The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop (Wesleyan University Press, 2002) and the forthcoming One Night on TV is Worth Weeks at the Paramount: Popular Music on Early Television (Duke University Press, 2012). He is a past recipient of a National Endowment for the Humanities Research Fellowship. Mark Anthony Neal is Professor of Black Popular Culture in the Department of African and African-American Studies at Duke University. He is the author of four books, What the Music Said: Black Popular Music and Black Public Culture (1998), Soul Babies: Black Popular Culture and the Post-Soul Aesthetic (2002), Songs in the Keys of Black Life: A Rhythm and Blues Nation (2003), and New Black Man: Rethinking Black Masculinity (2005), all published by Routledge. Neal hosts the weekly webcast, "Left of Black" in collaboration with the John Hope Franklin Center at Duke University. A frequent commentator for National Public Radio, Neal maintains a blog at NewBlackMan (http://newblackman.blogspot.com). You can follow him on Twitter @NewBlackMan.