Cheryl R. Ganz is the chief curator of philately at the Smithsonian National Postal Museum, Washington, D.C. She was the curator and designer of the "Pots of Promise" exhibition for the Jane Addams Hull-House Museum, and is the coeditor of Pots of Promise: Mexicans and Pottery at Hull-House, 1920-40.
Cheryl R. Ganz is the chief curator of philately at the Smithsonian National Postal Museum, Washington, D.C. She was the curator and designer of the "Pots of Promise" exhibition for the Jane Addams Hull-House Museum, and is the coeditor of Pots of Promise: Mexicans and Pottery at Hull-House, 1920-40.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Cheryl R. Ganz is the chief curator of philately at the Smithsonian National Postal Museum, Washington, D.C. She was the curator and designer of the "Pots of Promise" exhibition for the Jane Addams Hull-House Museum, and is the coeditor of Pots of Promise: Mexicans and Pottery at Hull-House, 1920-40.
Inhaltsangabe
Acknowledgments ix Introduction 1 1. Sally Rand and the Midway 7 2. Chicago Boosters Set the Stage 28 3. A New Vision for a World's Fair 52 4. The Vision on Display 67 5. Women's Spaces at the Fair 85 6. African Americans and the Du Sable Legacy 108 7. Ethnic Identity and Nationalistic Representations of Progress 123 8. Aviation, Nationalism, and Progress 137 Epilogue 151 Notes 159 Index 199 Illustrations: Black-and-white section 1 follows page 14 Black-and-white section2 follows page 66 Color section follows page 80 Black-and-white section 3 follows page 116 Black-and-white section 4 follows page 136
Acknowledgments ix Introduction 1 1. Sally Rand and the Midway 7 2. Chicago Boosters Set the Stage 28 3. A New Vision for a World's Fair 52 4. The Vision on Display 67 5. Women's Spaces at the Fair 85 6. African Americans and the Du Sable Legacy 108 7. Ethnic Identity and Nationalistic Representations of Progress 123 8. Aviation, Nationalism, and Progress 137 Epilogue 151 Notes 159 Index 199 Illustrations: Black-and-white section 1 follows page 14 Black-and-white section2 follows page 66 Color section follows page 80 Black-and-white section 3 follows page 116 Black-and-white section 4 follows page 136
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