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Attempts to do for the sound-track what feminist film theory has done for the image-track - to locate the points at which it is productive of sexual difference. This work focuses on the female voice understood not merely as spoken dialogue, narration, and commentary, but as a fantasmatic projection, and as a metaphor for authorship.

Produktbeschreibung
Attempts to do for the sound-track what feminist film theory has done for the image-track - to locate the points at which it is productive of sexual difference. This work focuses on the female voice understood not merely as spoken dialogue, narration, and commentary, but as a fantasmatic projection, and as a metaphor for authorship.
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Autorenporträt
Kaja Silverman