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“After twenty-eight years of desire and determination, I have visited Africa, the land of my forefathers.” So wrote Lida Clanton Broner (1895–1982), an African American housekeeper and hairstylist from Newark, New Jersey, upon her return from an extraordinary nine-month journey to South Africa in 1938. This epic trip was motivated not only by Broner’s sense of ancestral heritage, but also a grassroots resolve to connect the socio-political concerns of African Americans with those of Black South Africans under the segregationist policies of the time. During her travels, this woman of modest…mehr

Produktbeschreibung
“After twenty-eight years of desire and determination, I have visited Africa, the land of my forefathers.” So wrote Lida Clanton Broner (1895–1982), an African American housekeeper and hairstylist from Newark, New Jersey, upon her return from an extraordinary nine-month journey to South Africa in 1938. This epic trip was motivated not only by Broner’s sense of ancestral heritage, but also a grassroots resolve to connect the socio-political concerns of African Americans with those of Black South Africans under the segregationist policies of the time. During her travels, this woman of modest means circulated among South Africa’s Black intellectual elite, including many leaders of South Africa’s freedom struggle. Her lectures at Black schools on “race consciousness and race pride” had a decidedly political bent, even as she was presented as an “American beauty specialist.” 
Autorenporträt
Christa Clarke is an independent curator and art historian. Previously she was senior curator of Arts of Global Africa at the Newark Museum of Art, where her work was supported with major grants from the Andrew Mellon Foundation and the National Endowment of Humanities. Her books include  Representing Africa in American Art Museums (2011, coedited with Kathleen Berzock), the award-winning African Art at the Barnes Foundation, and Arts of Global Africa: The Newark Museum Collection.