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The Actor Training Reader is an invaluable resource for students and teachers of acting, offering access to a wide range of key texts that identify, explore, illuminate and interrogate the challenges, practices and processes involved in training the modern actor. A companion volume to the highly-acclaimed Actor Training (Hodge 2010), this book collects key writings by influential actor training practitioners of the twentieth century. Established, widely used texts are set alongside less well-known ones in order to trace the development of actor training from the pioneering advances of Eastern…mehr

Produktbeschreibung
The Actor Training Reader is an invaluable resource for students and teachers of acting, offering access to a wide range of key texts that identify, explore, illuminate and interrogate the challenges, practices and processes involved in training the modern actor. A companion volume to the highly-acclaimed Actor Training (Hodge 2010), this book collects key writings by influential actor training practitioners of the twentieth century. Established, widely used texts are set alongside less well-known ones in order to trace the development of actor training from the pioneering advances of Eastern Europe to the acting games of Augusto Boal. Each section boasts a specially commissioned introductory essay by an expert in that area of actor training, which will bring context, critical engagement and contemporary relevance to the extracts and offer provocations for further discussion.
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Autorenporträt
Mark Evans is Professor of Theatre Training and Associate Dean at Coventry University. He researches actor training and theatre education. He has published books on movement training for actors and on the work of Jacques Copeau, written several articles on theatre training, and is an Associate Editor for the Theatre, Dance and Performance Training journal published by Routledge.