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Like no other period in American history, the twentieth century has produced a great flourishing of critics who not only wrote poetry, but also published criticism dealing directly with the text and aesthetics of poems. Beginning with John Crowe Ransom's "Wanted: An Ontological Critic" and closing with John Ciardi's "How Does a Poem Mean?", R. S. Gwynn has assembled many of the pivotal essays written by these poet-critics over the last fifty years, some long out of print. From the pens of a dozen authors, such as Robert Penn Warren, Louise Bogan, Allen Tate, Delmore Schwartz, and Randall Jarrell, the essays were written in an atmosphere of practicality. It was a time when critical readings of poetry elucidated the poem rather than the external ideologies and theories of the critic, when criticism was accessible to the educated, common reader.