The Aesthetic Ground of Critical Theory
New Readings of Benjamin and Adorno
Herausgeber: Ross, Nathan
The Aesthetic Ground of Critical Theory
New Readings of Benjamin and Adorno
Herausgeber: Ross, Nathan
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This edited collection of original essays explores the irreducible role of aesthetic forms of experience and activity in the philosophies of Walter Benjamin and Theodor W. Adorno.
Andere Kunden interessierten sich auch für
- The Aesthetic Ground of Critical Theory64,99 €
- Jean-Luc NancyThe Ground of the Image91,99 €
- Daryl KoehnThe Ground of Professional Ethics178,99 €
- Sarah SailerDiagnosing mental disorders: A middle ground between the DSM-5 and the RDoC17,95 €
- Mark J. ThomasFreedom and Ground94,99 €
- Joseph DunneBack to the Rough Ground142,99 €
- Babette BabichNietzsche's Philosophy of Science: Reflecting Science on the Ground of Art and Life103,99 €
-
-
-
This edited collection of original essays explores the irreducible role of aesthetic forms of experience and activity in the philosophies of Walter Benjamin and Theodor W. Adorno.
Produktdetails
- Produktdetails
- Founding Critical Theory
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 232
- Erscheinungstermin: 1. August 2015
- Englisch
- Abmessung: 235mm x 157mm x 18mm
- Gewicht: 535g
- ISBN-13: 9781783482924
- ISBN-10: 1783482923
- Artikelnr.: 42472520
- Founding Critical Theory
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 232
- Erscheinungstermin: 1. August 2015
- Englisch
- Abmessung: 235mm x 157mm x 18mm
- Gewicht: 535g
- ISBN-13: 9781783482924
- ISBN-10: 1783482923
- Artikelnr.: 42472520
Nathan Ross is associate professor of philosophy at Oklahoma City University. He is the author of On Mechanism in Hegel's Social and Political Philosophy (2008) as well as a forthcoming book on aesthetic experience in classical German philosophy and critical theory. Contributors: Natalia Baeza, Post-doctoral Researcher in Philosophy, University of Florence; Georg Bertram, Professor of Philosophy, Freie Universität Berlin; Rick Elmore, Visiting Assistant Professor, Appalachian State University; Tom Huhn, Professor of Philosophy, New York School of Visual Arts; Eduardo Mendieta, Professor of Philosophy, State University of New York at Stony Brook; Marcia Morgan, Associate Professor of Philosophy and Women's Studies, Muhlenberg College; Alison Ross, Australian Research Council Future Fellow in Philosophy, Monash University; Andrea Sakoparnig, PhD candidate, Freie Universität Berlin; Surti Singh, Assistant Professor of Philosophy, American University Cairo; Stéphane Symons, Assistant Professor of Aesthetics and Philosophy of Art, Katholieke Universiteit Leuven; Joseph Weiss, Lecturer, DePaul University
Acknowledgments / Introduction: The Aesthetic Ground of Critical Theory
Nathan Ross / 1. Benjamin and Adorno on Art as Critical Practice
Georg W. Bertram / 2. The Benjaminian Moment in Adorno's Aesthetic Theory: Spaciality and the Topos of the Bourgeois Intérieur
Marcia Morgan / 3. Adorno's Critical Theory at the Crossroads of Hegel and Benjamin
Natalia Baeza / 4. The Jargon of Ontology and the Critique of Language: Benjamin
Adorno
and Philosophy's Motherless Tongue
Eduardo Mendieta / 5. 'The Polarity Informing Mimesis': The Social Import of Mimesis in Benjamin and Adorno
Nathan Ross / 6. Walter Benjamin's Critique of the Category of Aesthetic Form: 'The Work of Art in the Age of its Technological Reproducibility' from the Perspective of Benjamin's Early Writing
Alison Ross / 7. Walter Benjamin and the "highly productive use of the human being's self-alienation"
Stéphane Symons / 8. The Composer as Producer
Joseph Weiss / 9. The Aesthetic Experience of Shudder: Adorno and the Kantian Sublime
Surti Singh / 10. Ecological Experience: Aesthetics
Life
and the Shudder in Adorno's Critical Theory
Rick Elmore / 11. 'Enigmaticalness' as a Fundamental Category in Adorno's Aesthetic Theory
Andrea Sakoparnig / 12. Aesthetic Education
Human Capacity
Freedom
Tom Huhn / Bibliography / Index
Nathan Ross / 1. Benjamin and Adorno on Art as Critical Practice
Georg W. Bertram / 2. The Benjaminian Moment in Adorno's Aesthetic Theory: Spaciality and the Topos of the Bourgeois Intérieur
Marcia Morgan / 3. Adorno's Critical Theory at the Crossroads of Hegel and Benjamin
Natalia Baeza / 4. The Jargon of Ontology and the Critique of Language: Benjamin
Adorno
and Philosophy's Motherless Tongue
Eduardo Mendieta / 5. 'The Polarity Informing Mimesis': The Social Import of Mimesis in Benjamin and Adorno
Nathan Ross / 6. Walter Benjamin's Critique of the Category of Aesthetic Form: 'The Work of Art in the Age of its Technological Reproducibility' from the Perspective of Benjamin's Early Writing
Alison Ross / 7. Walter Benjamin and the "highly productive use of the human being's self-alienation"
Stéphane Symons / 8. The Composer as Producer
Joseph Weiss / 9. The Aesthetic Experience of Shudder: Adorno and the Kantian Sublime
Surti Singh / 10. Ecological Experience: Aesthetics
Life
and the Shudder in Adorno's Critical Theory
Rick Elmore / 11. 'Enigmaticalness' as a Fundamental Category in Adorno's Aesthetic Theory
Andrea Sakoparnig / 12. Aesthetic Education
Human Capacity
Freedom
Tom Huhn / Bibliography / Index
Acknowledgments / Introduction: The Aesthetic Ground of Critical Theory
Nathan Ross / 1. Benjamin and Adorno on Art as Critical Practice
Georg W. Bertram / 2. The Benjaminian Moment in Adorno's Aesthetic Theory: Spaciality and the Topos of the Bourgeois Intérieur
Marcia Morgan / 3. Adorno's Critical Theory at the Crossroads of Hegel and Benjamin
Natalia Baeza / 4. The Jargon of Ontology and the Critique of Language: Benjamin
Adorno
and Philosophy's Motherless Tongue
Eduardo Mendieta / 5. 'The Polarity Informing Mimesis': The Social Import of Mimesis in Benjamin and Adorno
Nathan Ross / 6. Walter Benjamin's Critique of the Category of Aesthetic Form: 'The Work of Art in the Age of its Technological Reproducibility' from the Perspective of Benjamin's Early Writing
Alison Ross / 7. Walter Benjamin and the "highly productive use of the human being's self-alienation"
Stéphane Symons / 8. The Composer as Producer
Joseph Weiss / 9. The Aesthetic Experience of Shudder: Adorno and the Kantian Sublime
Surti Singh / 10. Ecological Experience: Aesthetics
Life
and the Shudder in Adorno's Critical Theory
Rick Elmore / 11. 'Enigmaticalness' as a Fundamental Category in Adorno's Aesthetic Theory
Andrea Sakoparnig / 12. Aesthetic Education
Human Capacity
Freedom
Tom Huhn / Bibliography / Index
Nathan Ross / 1. Benjamin and Adorno on Art as Critical Practice
Georg W. Bertram / 2. The Benjaminian Moment in Adorno's Aesthetic Theory: Spaciality and the Topos of the Bourgeois Intérieur
Marcia Morgan / 3. Adorno's Critical Theory at the Crossroads of Hegel and Benjamin
Natalia Baeza / 4. The Jargon of Ontology and the Critique of Language: Benjamin
Adorno
and Philosophy's Motherless Tongue
Eduardo Mendieta / 5. 'The Polarity Informing Mimesis': The Social Import of Mimesis in Benjamin and Adorno
Nathan Ross / 6. Walter Benjamin's Critique of the Category of Aesthetic Form: 'The Work of Art in the Age of its Technological Reproducibility' from the Perspective of Benjamin's Early Writing
Alison Ross / 7. Walter Benjamin and the "highly productive use of the human being's self-alienation"
Stéphane Symons / 8. The Composer as Producer
Joseph Weiss / 9. The Aesthetic Experience of Shudder: Adorno and the Kantian Sublime
Surti Singh / 10. Ecological Experience: Aesthetics
Life
and the Shudder in Adorno's Critical Theory
Rick Elmore / 11. 'Enigmaticalness' as a Fundamental Category in Adorno's Aesthetic Theory
Andrea Sakoparnig / 12. Aesthetic Education
Human Capacity
Freedom
Tom Huhn / Bibliography / Index