This edited collection of original essays explores the irreducible role of aesthetic forms of experience and activity in the philosophies of Walter Benjamin and Theodor W. Adorno.
This edited collection of original essays explores the irreducible role of aesthetic forms of experience and activity in the philosophies of Walter Benjamin and Theodor W. Adorno.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments / Introduction: The Aesthetic Ground of Critical Theory Nathan Ross / 1. Benjamin and Adorno on Art as Critical Practice Georg W. Bertram / 2. The Benjaminian Moment in Adorno's Aesthetic Theory: Spaciality and the Topos of the Bourgeois Intérieur Marcia Morgan / 3. Adorno's Critical Theory at the Crossroads of Hegel and Benjamin Natalia Baeza / 4. The Jargon of Ontology and the Critique of Language: Benjamin Adorno and Philosophy's Motherless Tongue Eduardo Mendieta / 5. 'The Polarity Informing Mimesis': The Social Import of Mimesis in Benjamin and Adorno Nathan Ross / 6. Walter Benjamin's Critique of the Category of Aesthetic Form: 'The Work of Art in the Age of its Technological Reproducibility' from the Perspective of Benjamin's Early Writing Alison Ross / 7. Walter Benjamin and the "highly productive use of the human being's self-alienation" Stéphane Symons / 8. The Composer as Producer Joseph Weiss / 9. The Aesthetic Experience of Shudder: Adorno and the Kantian Sublime Surti Singh / 10. Ecological Experience: Aesthetics Life and the Shudder in Adorno's Critical Theory Rick Elmore / 11. 'Enigmaticalness' as a Fundamental Category in Adorno's Aesthetic Theory Andrea Sakoparnig / 12. Aesthetic Education Human Capacity Freedom Tom Huhn / Bibliography / Index
Acknowledgments / Introduction: The Aesthetic Ground of Critical Theory Nathan Ross / 1. Benjamin and Adorno on Art as Critical Practice Georg W. Bertram / 2. The Benjaminian Moment in Adorno's Aesthetic Theory: Spaciality and the Topos of the Bourgeois Intérieur Marcia Morgan / 3. Adorno's Critical Theory at the Crossroads of Hegel and Benjamin Natalia Baeza / 4. The Jargon of Ontology and the Critique of Language: Benjamin Adorno and Philosophy's Motherless Tongue Eduardo Mendieta / 5. 'The Polarity Informing Mimesis': The Social Import of Mimesis in Benjamin and Adorno Nathan Ross / 6. Walter Benjamin's Critique of the Category of Aesthetic Form: 'The Work of Art in the Age of its Technological Reproducibility' from the Perspective of Benjamin's Early Writing Alison Ross / 7. Walter Benjamin and the "highly productive use of the human being's self-alienation" Stéphane Symons / 8. The Composer as Producer Joseph Weiss / 9. The Aesthetic Experience of Shudder: Adorno and the Kantian Sublime Surti Singh / 10. Ecological Experience: Aesthetics Life and the Shudder in Adorno's Critical Theory Rick Elmore / 11. 'Enigmaticalness' as a Fundamental Category in Adorno's Aesthetic Theory Andrea Sakoparnig / 12. Aesthetic Education Human Capacity Freedom Tom Huhn / Bibliography / Index
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