The Aesthetic Mind

Philosophy and Psychology
Herausgeber: Schellekens, Elisabeth; Goldie, Peter

• Broschiertes Buch

Produktbeschreibung

The Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of art and the aesthetic. An eminent international team of experts explores the roles of emotion, imagination, empathy, and beauty in this realm of human experience, discussing visual and literary art, music, and dance.

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 470
• Erscheinungstermin: 12. August 2014
• Englisch
• Abmessung: 231mm x 155mm x 28mm
• Gewicht: 703g
• ISBN-13: 9780198705925
• ISBN-10: 0198705921
• Artikelnr.: 40305707

Autorenporträt

Elisabeth Schellekens is Senior Lecturer at the University of Durham, and Associate Editor of the British Journal of Aesthetics. She is the author of Aesthetics & Morality (Continuum, 2007), co-author of Who's Afraid of Conceptual Art (Routledge, 2009), and is currently working on a book on Aesthetic Objectivism. She was post-doctoral research fellow on the AHRC-funded project 'Towards an aesthetic psychology: the philosophy of aesthetic perception and cognition' between 2004 and 2006. Her main research interests include questions at the intersection of the philosophy of mind and aesthetics, meta-ethics, and Kant. Peter Goldie was formerly Samuel Hall Professor in Philosophy at the University of Manchester. He authored a number of books, including The Mess Inside (OUP, 2012), Philosophy and Conceptual Art (OUP, 2007), On Personality (Routledge, 2004), and The Emotions: A Philosophical Exploration (Clarendon Press, 2000).

Inhaltsangabe

* Introduction
* PART 1: The PSYCHOLOGY OF THE AESTHETIC
* 1: Gregory Currie: The Master of the Masek Beds: Handaxes, Art and
the Minds of Early Humans
* 2: Matthew Kieran: The Fragility of Aesthetic Knowledge: Aesthetic
Psychology and Appreciative Virtues
* 3: Dahlia W. Zaidel: Neuroscience, Biology, and Brain Evolution in
Visual Art
* 4: Roman Frigg and Catherine Howard: Fact and Fiction in the
Neuropsychology of Art
* PART 2: EMOTION IN AESTHETIC EXPERIENCE
* 5: Jesse Prinz: Emotion and Aesthetic Value
* 6: Roddy Cowie: Beauty is Felt, not Calculated; and it Does Not fit
in Boxes
* 7: Peter Goldie: The Ethics of Aesthetic Bootstrapping
* 8: Edmund Rolls: The Origins of Aesthetics: A Neurobiological Basis
for Affective Feelings and Aesthetics
* PART 3: BEAUTY AND UNIVERSALITY
* 9: I. C. McManus: Beauty is Instinctive Feeling: Experimenting on
Aesthetics and Art
* 10: Jerrold Levinson: Beauty Is Not One: The Irreducible Variety of
Visual Beauty
* 11: Robert Layton: Aesthetics: The Approach from Social Anthropology
* 12: Elisabeth Schellekens: Experiencing the Aesthetic: Kantian
Autonomy or Evolutionary Biology?
* PART 4: IMAGINATION AND MAKE-BELIEVE
* 13: Aaron Meskin and Jonathan Weinberg: Imagination Unblocked
* 14: Dorothy and Jerome Singer: An Attitude Towards the Possible: The
Contributions of Pretend Play to Later Adult Consciousness
* 15: Kathleen Stock: Unpacking the Boxes: The Cognitive Theory of
Imagination and Aesthetics
* PART 5: FICTION AND EMPATHY
* 16: David Miall: Enacting the Other: Towards an Aesthetics of Feeling
in Literary Reading
* 17: Peter Lamarque: On Keeping Psychology Out of Literary Criticism
* 18: Zanna Clay and Marco Iacoboni: Mirroring Fictional Others
* PART 6: MUSIC, DANCE, AND EXPRESSIVITY
* 19: Noël Carroll and Margaret Moore: Moving in Concert: Dance and
Music
* 20: David Davies: 'I'll Be Your Mirror'?: Embodied Agency, Dance, and
Neuroscience
* 21: William Forde Thompson and Lena Quinto: Music and Emotion:
Psychological Considerations
* 22: Stephen Davies: Cross-cultural Musical Expressiveness: Theory and
the Empirical Programme
* PART 7: PICTORIAL REPRESENTATION AND APPRECIATION
* 23: Mark Rollins: Neurology and the New Riddle of Pictorial Style
* 24: Norman H. Freeman: Varieties of Pictorial Judgement: A Functional
Account
* 25: Derek Matravers: Pictorial Representation and Psychology
* Index