This book examines cultural recycling in cinematic representations. Drawing from various disciplines including cultural studies, film studies, visual culture, and the history of ideas, Pop explains the practices of reinterpreting myths and narratives and discusses the cultural impact of recent popular movies on contemporary collective imaginaries.
This book examines cultural recycling in cinematic representations. Drawing from various disciplines including cultural studies, film studies, visual culture, and the history of ideas, Pop explains the practices of reinterpreting myths and narratives and discusses the cultural impact of recent popular movies on contemporary collective imaginaries.
Doru Pop is an associate professor at Babes Bolyai University in Cluj, Romania, and the author of several books on media, television and cinema studies. He recently taught a course on the Romanian and European New Wave cinema at the Bard College in New York.
Inhaltsangabe
Part I: Mythologies Amalgamated Chapter 1: The Transmutation of Ancient Heroes and the Re-Appropriation of Myths in Contemporary Cinema Chapter 2: From Centauresque to Incongruously Burlesque: Retrofitting and Infantilizing Mythologies Chapter 3: Mythological Meme Mutations: The Puerile Patriarchs of an Infantilized God Part II: Double Dark Mirrors in Cinematic Representations Chapter 4: Avatars, Surrogate Identities and Post-Human Transformations Chapter 5: Spare-Parts Heroes, Recycled Narratives, Reused Visualities and other Recuperated Histories Chapter 6: Modern Monsters, Parasitical Stories and Narrative Viruses Chapter 7: Desecration of Cinematic Bodies and Zombie Semiotics Excursus or A Final Walk into the Desert of Significations
Part I: Mythologies Amalgamated Chapter 1: The Transmutation of Ancient Heroes and the Re-Appropriation of Myths in Contemporary Cinema Chapter 2: From Centauresque to Incongruously Burlesque: Retrofitting and Infantilizing Mythologies Chapter 3: Mythological Meme Mutations: The Puerile Patriarchs of an Infantilized God Part II: Double Dark Mirrors in Cinematic Representations Chapter 4: Avatars, Surrogate Identities and Post-Human Transformations Chapter 5: Spare-Parts Heroes, Recycled Narratives, Reused Visualities and other Recuperated Histories Chapter 6: Modern Monsters, Parasitical Stories and Narrative Viruses Chapter 7: Desecration of Cinematic Bodies and Zombie Semiotics Excursus or A Final Walk into the Desert of Significations
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