The Alexander Scriabin Compendium offers a modern perspective on the history, reception, interpretation, and performance of Scriabin's music. It offers complete overviews of his music, performance suggestions for pianists, and critical commentary on four controversial subjects in his critical reception.
The Alexander Scriabin Compendium offers a modern perspective on the history, reception, interpretation, and performance of Scriabin's music. It offers complete overviews of his music, performance suggestions for pianists, and critical commentary on four controversial subjects in his critical reception.
Lincoln Ballard has taught at the University of Washington, University of Puget Sound, Southwestern College, and Cascadia Community College. His dissertation offered the first comprehensive study of Alexander Scriabin's posthumous reception history. Matthew Bengtson, assistant professor of piano literature at the University of Michigan School of Music, Theatre, and Dance, is critically acclaimed as a leading interpreter of Scriabin's work. John Bell Young is the founder and CEO of Identity Marketing for Concert Artists Inc., winner of the 1985 Chopin Foundation Council Prize, and a leading authority on the music of Alexander Scriabin.
Inhaltsangabe
Foreword by Stephen Hough CHAPTER ONE En Garde or Avant Garde? Exploding the Scriabin Myth John Bell Young PART I ENCOUNTERING SCRIABIN Lincoln Ballard CHAPTER TWO Life, Legacy, and Music CHAPTER THREE The Solo Piano Music CHAPTER FOUR Symphonies and Orchestral Works PART II TOPICS IN RECEPTION HISTORY Lincoln Ballard CHAPTER FIVE Madness and Other Myths CHAPTER SIX On Synaesthesia or "Color Hearing" CHAPTER SEVEN Scriabin's Russian Roots and the Symbolist Aesthetic CHAPTER EIGHT The Revival in 1960s America PART III IN PERFORMANCE Matthew Bengtson CHAPTER NINE From Musical Text to the Imagination CHAPTER TEN Technique CHAPTER ELEVEN Line and Melody CHAPTER TWELVE Harmony CHAPTER THIRTEEN The Scriabin Sound CHAPTER FOURTEEN Rhythm Glossary and Pronunciation Guide
Foreword by Stephen Hough CHAPTER ONE En Garde or Avant Garde? Exploding the Scriabin Myth John Bell Young PART I ENCOUNTERING SCRIABIN Lincoln Ballard CHAPTER TWO Life, Legacy, and Music CHAPTER THREE The Solo Piano Music CHAPTER FOUR Symphonies and Orchestral Works PART II TOPICS IN RECEPTION HISTORY Lincoln Ballard CHAPTER FIVE Madness and Other Myths CHAPTER SIX On Synaesthesia or "Color Hearing" CHAPTER SEVEN Scriabin's Russian Roots and the Symbolist Aesthetic CHAPTER EIGHT The Revival in 1960s America PART III IN PERFORMANCE Matthew Bengtson CHAPTER NINE From Musical Text to the Imagination CHAPTER TEN Technique CHAPTER ELEVEN Line and Melody CHAPTER TWELVE Harmony CHAPTER THIRTEEN The Scriabin Sound CHAPTER FOURTEEN Rhythm Glossary and Pronunciation Guide
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