The American Photo-Text, 1930-1960 - Blinder, Caroline
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Focuses on the intersections between text and photography in the twentieth-century American photo-text Ranging from documentary studies in the 1930s to post-war examinations of the American landscape, urban and rural, from Dorothea Lange's photographs of dispossessed migrants in American Exodus (1939), Weegee's small-time hoodlums on the streets of New York in Naked City (1945), to Robert Frank's Cold War citizens, this survey of the photo-text constitutes an invaluable entry into how we read the politics of twentieth-century American photography. In looking specifically at books designed as…mehr

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Produktbeschreibung
Focuses on the intersections between text and photography in the twentieth-century American photo-text Ranging from documentary studies in the 1930s to post-war examinations of the American landscape, urban and rural, from Dorothea Lange's photographs of dispossessed migrants in American Exodus (1939), Weegee's small-time hoodlums on the streets of New York in Naked City (1945), to Robert Frank's Cold War citizens, this survey of the photo-text constitutes an invaluable entry into how we read the politics of twentieth-century American photography. In looking specifically at books designed as collaborative efforts, it establishes the photo-text as a genre related to and yet distinct from other documentary efforts. Key Features: - Explores through a series of case studies some of the seminal photo-texts of the 1930s, 40s and 50s from documentary realism of the Depression years to post-war studies of the American landscape. - Examines photo-texts by Doris Ulmann, Walker Evans, James Agee, Dorothea Lange, Margaret Bourke White, Wright Morris, Paul Strand, Roy DeCarava and Robert Frank. - Enables students and scholars of both American photography and literature to rethink the intersections between writing and photography in political as well as aesthetic terms. Caroline Blinder is Reader in American Literature and Culture at Goldsmiths, University of London.
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Autorenporträt
Caroline Blinder is Lecturer in English and American Literature at Goldsmiths, University of London. Blinder has written extensively on the intersections between photography and text, starting with Henry Miller's work on Brassaï in her first book, A Self-Made Surrealist: Henry Miller (1999) and since then in book chapters and articles on amongst others, Walker Evans, Paul Strand, Weegee, Robert Frank, and recently Richard Misrach. She teaches American Literature, Film, and Culture at Goldsmiths University. London.