The Ancient World in Silent Cinema
Herausgeber: Michelakis, Pantelis; Wyke, Maria
The Ancient World in Silent Cinema
Herausgeber: Michelakis, Pantelis; Wyke, Maria
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Explores the role of silent cinema in early twentieth-century conceptualizations of the ancient Mediterranean and Middle East.
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Explores the role of silent cinema in early twentieth-century conceptualizations of the ancient Mediterranean and Middle East.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 410
- Erscheinungstermin: 20. März 2017
- Englisch
- Abmessung: 250mm x 175mm x 27mm
- Gewicht: 886g
- ISBN-13: 9781107016101
- ISBN-10: 110701610X
- Artikelnr.: 37800123
- Verlag: Cambridge University Press
- Seitenzahl: 410
- Erscheinungstermin: 20. März 2017
- Englisch
- Abmessung: 250mm x 175mm x 27mm
- Gewicht: 886g
- ISBN-13: 9781107016101
- ISBN-10: 110701610X
- Artikelnr.: 37800123
1. Introduction: silent cinema, antiquity and 'The Exhaustless Urn of Time'
Pantelis Michelakis and Maria Wyke; Part I. Theories, Histories,
Receptions: 2. The ancient world on silent film - the view from the archive
Bryony Dixon; 3. On visual cogency: the emergence of an antiquity of moving
images Marcus Becker; 4. Cinema in the time of the pharaoh Antonia Lant; 5.
'Hieroglyphics in motion': representing ancient Egypt and the Middle East
in film theory and criticism of the silent period Laura Marcus; 6.
Architecture and art dance meet in the ancient world David Mayer; 7.
Ancient Rome in London: classical subjects in the forefront of cinema's
expansion after 1910 Ian Christie; 8. Gloria Swanson as Venus: silent
stardom, antiquity and the classical vernacular Michael Williams; 9. Homer
in silent cinema Pantelis Michelakis; Part II. Movement, Image, Music,
Text: 10. Silent saviours: representations of Jesus' Passion in early
cinema Caroline Vander Stichele; 11. The Kalem Ben-Hur (1907) Jon Solomon;
12. Judith's vampish virtue and its double market appeal Judith Buchanan;
13. Competing ancient worlds in early historical film: the example of
Cabiria (1914) Annette Dorgerloh; 14. Peplum, melodrama and musicality:
Giuliano l'Apostata (1919) Giuseppe Pucci; 15. 'An orgy Sunday school
children can watch': the spectacle of sex and the seduction of spectacle in
Cecil B. DeMille's The Ten Commandments (1923) David Shepherd; 16. Silent
laughter and the counter-historical: Buster Keaton's Three Ages (1923)
Maria Wyke; 17. From Roman history to German nationalism: Arminius and
Varus in Die Hermannschlacht (1924) Martin M. Winkler; 18. The 1925 Ben-Hur
and the 'Hollywood Question' Ruth Scodel; 19. Consuming passions: Helen of
Troy in the jazz age Margaret Malamud.
Pantelis Michelakis and Maria Wyke; Part I. Theories, Histories,
Receptions: 2. The ancient world on silent film - the view from the archive
Bryony Dixon; 3. On visual cogency: the emergence of an antiquity of moving
images Marcus Becker; 4. Cinema in the time of the pharaoh Antonia Lant; 5.
'Hieroglyphics in motion': representing ancient Egypt and the Middle East
in film theory and criticism of the silent period Laura Marcus; 6.
Architecture and art dance meet in the ancient world David Mayer; 7.
Ancient Rome in London: classical subjects in the forefront of cinema's
expansion after 1910 Ian Christie; 8. Gloria Swanson as Venus: silent
stardom, antiquity and the classical vernacular Michael Williams; 9. Homer
in silent cinema Pantelis Michelakis; Part II. Movement, Image, Music,
Text: 10. Silent saviours: representations of Jesus' Passion in early
cinema Caroline Vander Stichele; 11. The Kalem Ben-Hur (1907) Jon Solomon;
12. Judith's vampish virtue and its double market appeal Judith Buchanan;
13. Competing ancient worlds in early historical film: the example of
Cabiria (1914) Annette Dorgerloh; 14. Peplum, melodrama and musicality:
Giuliano l'Apostata (1919) Giuseppe Pucci; 15. 'An orgy Sunday school
children can watch': the spectacle of sex and the seduction of spectacle in
Cecil B. DeMille's The Ten Commandments (1923) David Shepherd; 16. Silent
laughter and the counter-historical: Buster Keaton's Three Ages (1923)
Maria Wyke; 17. From Roman history to German nationalism: Arminius and
Varus in Die Hermannschlacht (1924) Martin M. Winkler; 18. The 1925 Ben-Hur
and the 'Hollywood Question' Ruth Scodel; 19. Consuming passions: Helen of
Troy in the jazz age Margaret Malamud.
1. Introduction: silent cinema, antiquity and 'The Exhaustless Urn of Time'
Pantelis Michelakis and Maria Wyke; Part I. Theories, Histories,
Receptions: 2. The ancient world on silent film - the view from the archive
Bryony Dixon; 3. On visual cogency: the emergence of an antiquity of moving
images Marcus Becker; 4. Cinema in the time of the pharaoh Antonia Lant; 5.
'Hieroglyphics in motion': representing ancient Egypt and the Middle East
in film theory and criticism of the silent period Laura Marcus; 6.
Architecture and art dance meet in the ancient world David Mayer; 7.
Ancient Rome in London: classical subjects in the forefront of cinema's
expansion after 1910 Ian Christie; 8. Gloria Swanson as Venus: silent
stardom, antiquity and the classical vernacular Michael Williams; 9. Homer
in silent cinema Pantelis Michelakis; Part II. Movement, Image, Music,
Text: 10. Silent saviours: representations of Jesus' Passion in early
cinema Caroline Vander Stichele; 11. The Kalem Ben-Hur (1907) Jon Solomon;
12. Judith's vampish virtue and its double market appeal Judith Buchanan;
13. Competing ancient worlds in early historical film: the example of
Cabiria (1914) Annette Dorgerloh; 14. Peplum, melodrama and musicality:
Giuliano l'Apostata (1919) Giuseppe Pucci; 15. 'An orgy Sunday school
children can watch': the spectacle of sex and the seduction of spectacle in
Cecil B. DeMille's The Ten Commandments (1923) David Shepherd; 16. Silent
laughter and the counter-historical: Buster Keaton's Three Ages (1923)
Maria Wyke; 17. From Roman history to German nationalism: Arminius and
Varus in Die Hermannschlacht (1924) Martin M. Winkler; 18. The 1925 Ben-Hur
and the 'Hollywood Question' Ruth Scodel; 19. Consuming passions: Helen of
Troy in the jazz age Margaret Malamud.
Pantelis Michelakis and Maria Wyke; Part I. Theories, Histories,
Receptions: 2. The ancient world on silent film - the view from the archive
Bryony Dixon; 3. On visual cogency: the emergence of an antiquity of moving
images Marcus Becker; 4. Cinema in the time of the pharaoh Antonia Lant; 5.
'Hieroglyphics in motion': representing ancient Egypt and the Middle East
in film theory and criticism of the silent period Laura Marcus; 6.
Architecture and art dance meet in the ancient world David Mayer; 7.
Ancient Rome in London: classical subjects in the forefront of cinema's
expansion after 1910 Ian Christie; 8. Gloria Swanson as Venus: silent
stardom, antiquity and the classical vernacular Michael Williams; 9. Homer
in silent cinema Pantelis Michelakis; Part II. Movement, Image, Music,
Text: 10. Silent saviours: representations of Jesus' Passion in early
cinema Caroline Vander Stichele; 11. The Kalem Ben-Hur (1907) Jon Solomon;
12. Judith's vampish virtue and its double market appeal Judith Buchanan;
13. Competing ancient worlds in early historical film: the example of
Cabiria (1914) Annette Dorgerloh; 14. Peplum, melodrama and musicality:
Giuliano l'Apostata (1919) Giuseppe Pucci; 15. 'An orgy Sunday school
children can watch': the spectacle of sex and the seduction of spectacle in
Cecil B. DeMille's The Ten Commandments (1923) David Shepherd; 16. Silent
laughter and the counter-historical: Buster Keaton's Three Ages (1923)
Maria Wyke; 17. From Roman history to German nationalism: Arminius and
Varus in Die Hermannschlacht (1924) Martin M. Winkler; 18. The 1925 Ben-Hur
and the 'Hollywood Question' Ruth Scodel; 19. Consuming passions: Helen of
Troy in the jazz age Margaret Malamud.