Why are so many fictional characters named Anna (or a variant), and what does this signify? The startling prevalence of Hannah/Anna/Anne moves from biblical literature (Old Testament Hannah and New Testament St. Anne) to classics (Anna Karenina and Anne Elliot) to popular fiction (Anna Dunlop in Sue Miller's The Good Mother), children's literature (Anne of Green Gables ), films (Hannah and Her Sisters), and horror (Annie Wilkes in Stephen King's Misery). Does this represent a conscious or unconscious search for the ultimate or missing mother harking back to mythical and religious traditions?…mehr
Why are so many fictional characters named Anna (or a variant), and what does this signify? The startling prevalence of Hannah/Anna/Anne moves from biblical literature (Old Testament Hannah and New Testament St. Anne) to classics (Anna Karenina and Anne Elliot) to popular fiction (Anna Dunlop in Sue Miller's The Good Mother), children's literature (Anne of Green Gables ), films (Hannah and Her Sisters), and horror (Annie Wilkes in Stephen King's Misery). Does this represent a conscious or unconscious search for the ultimate or missing mother harking back to mythical and religious traditions? Here twenty-two essayists--literary scholars, writers, historians, classicists, feminist theorists--rise to the challenge, examining Annas in individual literary works or making intriguing connections. Universals and particulars are sorted out as the related names and themes cross time, culture, gender, and racial borders. In the process, much new and fascinating literary criticism is revealed about dozens of authors, including Anthony Trollope, John Berryman, Sean O'Faolain, Edith Wharton, Elizabeth Bowen, Anne Sexton, Arnold Bennett, Doris Lessing, Tillie Olsen, Toni Morrison, Gwendolyn Brooks, Mona Simpson, Mary Lavin, and, yes, Sigmund Freud.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Autorenporträt
MICKEY PEARLMAN is an independent scholar, writer, and editor. She was editor of American Women Writing Fiction: Memory, Identity, Family, Space and the author of Reinventing Reality: Patterns and Characters in the Novels of Muriel Spark, Tillie Olsen and the coauthor of Inter/View: Talks with America's Writing Women. She writes often about Muriel Spark and is especially interested in the concepts of space and memory in the work of contemporary American women.
Inhaltsangabe
Introduction: The Birth of a Book Idea: Or How I Got Involved with, Fixated on, and Obsessed by the Name Anna by Mickey Pearlman Anna and Demeter: The Myth of The Good Mother by Barbara McManus Ann of Ages by C. W. Sullivan III Maternity as Destiny: The Old Testament Hannahs by Pearl David Laufer John Berryman's Anne by Roberta White Sometimes I Feel Like a Motherless Child: Austen's Anne Elliot and Freud's Anna O. by Diana Postlethwaite Trollope's Lady Anna: "Corrupt Relations" or "Erotic Faith" by Deborah D. Morse Tolstoy's Anna Karenina: A Palindrome, a Paradox, Beginning as She Ends by Abby H. P. Werlock Re-visioning Literary Motherhood: Elizabeth Bowen's The Death of the Heart and Elizabeth Jane Howard's Odd Girl Out by Phyllis Lassner Ana, Again and Again: Love, Memory, and the Self in Sean O'Faolain by Mary Rose Sullivan Mothers and Lovers: Edith Wharton's The Reef and The Mother's Recompense by Nancy Walker The Mother Mirror in Jamaica Kincaid's Annie John and Gertrude Stein's The Good Anna by Diane Simmons Spiritual Maternity and Self-Fulfillment in Arnold Bennett's Anna of the Five Towns by Helen Pike Bauer Anna's Daughter: Mazie Holbrook in Tillie Olsen's Yonnondio by Mary Deforest Anny Annas in Finnegan's Wake? Manny! by Dee Goertz The Mother of Them All: Gwendolyn Brooks's Annie Allen by Dee Seligman "For We Swallow Magic and We Deliver Anne": Anne Sexton's Use of Her Name by Karen Alkalay-Gut "Anna, Anna, I Am Anna": The Annas of Doris Lessing's The Golden Notebook by Claire Sprague The Goddess Resurrected in Mary Lavin's Short Fiction by Martha Vertreace The Quest for the Perfect Mother in Toni Morrison's Sula by Margaret Schramm The Autobiographical Anna: Mona Simpson's Anywhere but Here and Susanna Moore's My Old Sweetheart by Kim Lacy Rogers Controlling the Past and the Future: Two-Headed Anna in Ellen Gilchrist's The Anna Papers by Jane Taylor McDonnell Stephen King's Dark and Terrible Mother, Annie Wilkes by Katherine K. Gottschalk Bibliography Index
Introduction: The Birth of a Book Idea: Or How I Got Involved with, Fixated on, and Obsessed by the Name Anna by Mickey Pearlman Anna and Demeter: The Myth of The Good Mother by Barbara McManus Ann of Ages by C. W. Sullivan III Maternity as Destiny: The Old Testament Hannahs by Pearl David Laufer John Berryman's Anne by Roberta White Sometimes I Feel Like a Motherless Child: Austen's Anne Elliot and Freud's Anna O. by Diana Postlethwaite Trollope's Lady Anna: "Corrupt Relations" or "Erotic Faith" by Deborah D. Morse Tolstoy's Anna Karenina: A Palindrome, a Paradox, Beginning as She Ends by Abby H. P. Werlock Re-visioning Literary Motherhood: Elizabeth Bowen's The Death of the Heart and Elizabeth Jane Howard's Odd Girl Out by Phyllis Lassner Ana, Again and Again: Love, Memory, and the Self in Sean O'Faolain by Mary Rose Sullivan Mothers and Lovers: Edith Wharton's The Reef and The Mother's Recompense by Nancy Walker The Mother Mirror in Jamaica Kincaid's Annie John and Gertrude Stein's The Good Anna by Diane Simmons Spiritual Maternity and Self-Fulfillment in Arnold Bennett's Anna of the Five Towns by Helen Pike Bauer Anna's Daughter: Mazie Holbrook in Tillie Olsen's Yonnondio by Mary Deforest Anny Annas in Finnegan's Wake? Manny! by Dee Goertz The Mother of Them All: Gwendolyn Brooks's Annie Allen by Dee Seligman "For We Swallow Magic and We Deliver Anne": Anne Sexton's Use of Her Name by Karen Alkalay-Gut "Anna, Anna, I Am Anna": The Annas of Doris Lessing's The Golden Notebook by Claire Sprague The Goddess Resurrected in Mary Lavin's Short Fiction by Martha Vertreace The Quest for the Perfect Mother in Toni Morrison's Sula by Margaret Schramm The Autobiographical Anna: Mona Simpson's Anywhere but Here and Susanna Moore's My Old Sweetheart by Kim Lacy Rogers Controlling the Past and the Future: Two-Headed Anna in Ellen Gilchrist's The Anna Papers by Jane Taylor McDonnell Stephen King's Dark and Terrible Mother, Annie Wilkes by Katherine K. Gottschalk Bibliography Index
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