A highly illustrated book exploring the work of Sir Edward Evan Evans-Pritchard, widely considered the most influential British anthropologist of the 20th century, through the lens of his fieldwork photography. It offers new insight and a major reinterpreatation of Evans-Pritchard's theoretical contributions to the discipline.
A highly illustrated book exploring the work of Sir Edward Evan Evans-Pritchard, widely considered the most influential British anthropologist of the 20th century, through the lens of his fieldwork photography. It offers new insight and a major reinterpreatation of Evans-Pritchard's theoretical contributions to the discipline.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Christopher Morton is Curator of Photograph and Manuscript Collections at the University of Oxford's Pitt Rivers Museum, and a Fellow of Linacre College, Oxford. He trained in history at the University of East Anglia before completing a DPhil in Social and Cultural Anthropology at St. Antony's College, Oxford, in 2002, based on long-term fieldwork in Botswana. He has published widely on the interconnecting histories of photography and anthropology, co-editing volumes such as Photography, Anthropology, and History: Expanding the Frame (2009), Photographs, Museums, Collections: Between Art and Information (2015), and The African Photographic Archive: Research and Curatorial Strategies (2015).
Inhaltsangabe
1: Photographs are to think with: historicizing anthropology 2: Survivals, surveys, and struggles: first fieldwork 3: Visuality and textuality: encountering Zande ritual 4: Double alienation: fieldwork and photography between two worlds 5: Image, archive, and monograph: dangerous liaisons 6: Akobo realism: conversations with the Anuak 7: The participant-photographer: encountering Nuer ritual 8: The poet, the missionary, and the sacred spears
1: Photographs are to think with: historicizing anthropology 2: Survivals, surveys, and struggles: first fieldwork 3: Visuality and textuality: encountering Zande ritual 4: Double alienation: fieldwork and photography between two worlds 5: Image, archive, and monograph: dangerous liaisons 6: Akobo realism: conversations with the Anuak 7: The participant-photographer: encountering Nuer ritual 8: The poet, the missionary, and the sacred spears
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