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- Produkterinnerung
-Designed for those who want to extend the dynamic range in their work, but are frustrated by over-processed and hyper-saturated images, this book [explains that High Dynamic Range] techniques are capable of producing photographs that are both stunning and realistic---Amazon.com.
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-Designed for those who want to extend the dynamic range in their work, but are frustrated by over-processed and hyper-saturated images, this book [explains that High Dynamic Range] techniques are capable of producing photographs that are both stunning and realistic---Amazon.com.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 232
- Erscheinungstermin: 3. Oktober 2016
- Englisch
- Abmessung: 254mm x 177mm x 17mm
- Gewicht: 666g
- ISBN-13: 9781138962347
- ISBN-10: 1138962341
- Artikelnr.: 43156553
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 232
- Erscheinungstermin: 3. Oktober 2016
- Englisch
- Abmessung: 254mm x 177mm x 17mm
- Gewicht: 666g
- ISBN-13: 9781138962347
- ISBN-10: 1138962341
- Artikelnr.: 43156553
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Robert Fisher is a commercial photographer and freelance writer based just outside of Toronto, Canada. His love of photography began over 15 years ago when he was first exposed to the impressionistic style. As a writer, he has traveled the world to cover topics ranging from politics to concussions, and as a photographer he has exhibited his work in a number of shows and galleries. He is the author of The Digital Zone System: Taking Control from Capture to Print and The Mobile Photographer: A Guide to Using Android(R) Phones, Tablets and Apps in a Photography Workflow.
1. Gear
Choosing a Camera
Sensor Size
Mirrorless or SLR
Lenses
To Cable or Not to Cable?
Do You Have Support?
Tripod Legs
Tripod Heads
Memory Cards
Filters
2. The Fundamentals - Exposure & Composition
Exposure and Metering
Metering
Exposure & The Triumvirate
Shutter Speed
Aperture
ISO Setting
Composition
Rule of Thirds
Golden Section
Leading Lines & S-Curves
3. Time to Take Some Pictures?
Yield Not to Temptation (AKA, Because I Can)
What to Bracket
How Many to Bracket
Using HDR Software
Manual Blending
Can I Use My Segmented Meter?
What About ETTR?
Do I Have to Bracket?
4. Organization & Prep - PreBlend Work
Image Organization
Using Lightroom & Bridge
Importing Using Lightroom
Importing Using Bridge
Backing Up Your Work
Prepping Your Files for Blending
Prepping for Blending in HDR Software
In Lightroom
In Bridge
5. Blending Using Photomatix & SNS-HDR
Photomatix
Tonemapping
Details Enhancer
Contrast Optimizer
Exposure Fusion
SNS-HDR Pro
Tonemapping
Masking
6. Manual Blending Using Simple Masks
Preparation of Images for Manual Blending
Basic Panel (Tab in Camera Raw)
Curves
HSL/Grayscale
Blending with Simple Layer Masks
7. Advanced Blending Using Luminance Masks
Creating Luminance Masks
Blending with Luminance Masks
8. Final Tweaking of Merged & Tonemapped Images
Sharpening
Capture Sharpening
Creative Sharpening
Output Sharpening
Output Sharpening in Lightroom
Output Sharpening in Photoshop
Final Editing
9. Converting to Black & White
Converting Source Images to Black-and-White
Converting in Lightroom or Adobe Camera Raw
Merging in Photomatix
Blending in SNS-HDR
Converting to Black-and-White After Blending
Using Snapshots
Choosing a Camera
Sensor Size
Mirrorless or SLR
Lenses
To Cable or Not to Cable?
Do You Have Support?
Tripod Legs
Tripod Heads
Memory Cards
Filters
2. The Fundamentals - Exposure & Composition
Exposure and Metering
Metering
Exposure & The Triumvirate
Shutter Speed
Aperture
ISO Setting
Composition
Rule of Thirds
Golden Section
Leading Lines & S-Curves
3. Time to Take Some Pictures?
Yield Not to Temptation (AKA, Because I Can)
What to Bracket
How Many to Bracket
Using HDR Software
Manual Blending
Can I Use My Segmented Meter?
What About ETTR?
Do I Have to Bracket?
4. Organization & Prep - PreBlend Work
Image Organization
Using Lightroom & Bridge
Importing Using Lightroom
Importing Using Bridge
Backing Up Your Work
Prepping Your Files for Blending
Prepping for Blending in HDR Software
In Lightroom
In Bridge
5. Blending Using Photomatix & SNS-HDR
Photomatix
Tonemapping
Details Enhancer
Contrast Optimizer
Exposure Fusion
SNS-HDR Pro
Tonemapping
Masking
6. Manual Blending Using Simple Masks
Preparation of Images for Manual Blending
Basic Panel (Tab in Camera Raw)
Curves
HSL/Grayscale
Blending with Simple Layer Masks
7. Advanced Blending Using Luminance Masks
Creating Luminance Masks
Blending with Luminance Masks
8. Final Tweaking of Merged & Tonemapped Images
Sharpening
Capture Sharpening
Creative Sharpening
Output Sharpening
Output Sharpening in Lightroom
Output Sharpening in Photoshop
Final Editing
9. Converting to Black & White
Converting Source Images to Black-and-White
Converting in Lightroom or Adobe Camera Raw
Merging in Photomatix
Blending in SNS-HDR
Converting to Black-and-White After Blending
Using Snapshots
1. Gear
Choosing a Camera
Sensor Size
Mirrorless or SLR
Lenses
To Cable or Not to Cable?
Do You Have Support?
Tripod Legs
Tripod Heads
Memory Cards
Filters
2. The Fundamentals - Exposure & Composition
Exposure and Metering
Metering
Exposure & The Triumvirate
Shutter Speed
Aperture
ISO Setting
Composition
Rule of Thirds
Golden Section
Leading Lines & S-Curves
3. Time to Take Some Pictures?
Yield Not to Temptation (AKA, Because I Can)
What to Bracket
How Many to Bracket
Using HDR Software
Manual Blending
Can I Use My Segmented Meter?
What About ETTR?
Do I Have to Bracket?
4. Organization & Prep - PreBlend Work
Image Organization
Using Lightroom & Bridge
Importing Using Lightroom
Importing Using Bridge
Backing Up Your Work
Prepping Your Files for Blending
Prepping for Blending in HDR Software
In Lightroom
In Bridge
5. Blending Using Photomatix & SNS-HDR
Photomatix
Tonemapping
Details Enhancer
Contrast Optimizer
Exposure Fusion
SNS-HDR Pro
Tonemapping
Masking
6. Manual Blending Using Simple Masks
Preparation of Images for Manual Blending
Basic Panel (Tab in Camera Raw)
Curves
HSL/Grayscale
Blending with Simple Layer Masks
7. Advanced Blending Using Luminance Masks
Creating Luminance Masks
Blending with Luminance Masks
8. Final Tweaking of Merged & Tonemapped Images
Sharpening
Capture Sharpening
Creative Sharpening
Output Sharpening
Output Sharpening in Lightroom
Output Sharpening in Photoshop
Final Editing
9. Converting to Black & White
Converting Source Images to Black-and-White
Converting in Lightroom or Adobe Camera Raw
Merging in Photomatix
Blending in SNS-HDR
Converting to Black-and-White After Blending
Using Snapshots
Choosing a Camera
Sensor Size
Mirrorless or SLR
Lenses
To Cable or Not to Cable?
Do You Have Support?
Tripod Legs
Tripod Heads
Memory Cards
Filters
2. The Fundamentals - Exposure & Composition
Exposure and Metering
Metering
Exposure & The Triumvirate
Shutter Speed
Aperture
ISO Setting
Composition
Rule of Thirds
Golden Section
Leading Lines & S-Curves
3. Time to Take Some Pictures?
Yield Not to Temptation (AKA, Because I Can)
What to Bracket
How Many to Bracket
Using HDR Software
Manual Blending
Can I Use My Segmented Meter?
What About ETTR?
Do I Have to Bracket?
4. Organization & Prep - PreBlend Work
Image Organization
Using Lightroom & Bridge
Importing Using Lightroom
Importing Using Bridge
Backing Up Your Work
Prepping Your Files for Blending
Prepping for Blending in HDR Software
In Lightroom
In Bridge
5. Blending Using Photomatix & SNS-HDR
Photomatix
Tonemapping
Details Enhancer
Contrast Optimizer
Exposure Fusion
SNS-HDR Pro
Tonemapping
Masking
6. Manual Blending Using Simple Masks
Preparation of Images for Manual Blending
Basic Panel (Tab in Camera Raw)
Curves
HSL/Grayscale
Blending with Simple Layer Masks
7. Advanced Blending Using Luminance Masks
Creating Luminance Masks
Blending with Luminance Masks
8. Final Tweaking of Merged & Tonemapped Images
Sharpening
Capture Sharpening
Creative Sharpening
Output Sharpening
Output Sharpening in Lightroom
Output Sharpening in Photoshop
Final Editing
9. Converting to Black & White
Converting Source Images to Black-and-White
Converting in Lightroom or Adobe Camera Raw
Merging in Photomatix
Blending in SNS-HDR
Converting to Black-and-White After Blending
Using Snapshots