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Tracing the provenance of the earliest known album of drawings from its assemblage in the late 1530s to its dismantling in the 1950s, this book fills a critical gap in the study of northern Italian drawings and explores the historic tradition of collecting drawings and humanist collections in northern Italy before Vasari for which the album provides a new point of reference. The study includes a reconstruction of the original album and a page-by-page guide to its contents, providing insight into an overlooked subject.

Produktbeschreibung
Tracing the provenance of the earliest known album of drawings from its assemblage in the late 1530s to its dismantling in the 1950s, this book fills a critical gap in the study of northern Italian drawings and explores the historic tradition of collecting drawings and humanist collections in northern Italy before Vasari for which the album provides a new point of reference. The study includes a reconstruction of the original album and a page-by-page guide to its contents, providing insight into an overlooked subject.
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Autorenporträt
Evelyn Karet holds a Ph.D. from Columbia University and is a Scholar in Residence in the Department of Visual and Performing Arts at Clark University, USA where she was previously Associate Professor and taught Renaissance Art History. A scholar of late Gothic and Renaissance art, she has also taught at Boston College, Wheaton College, and the University of Georgia Studies Abroad Program in Italy.