The Arabian Nights Entertainments - Lang, Andrew
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The scene was a dusky shabby little room in Ryder Street. To such caves many repair whose days are passed, and whose food is consumed, in the clubs of the adjacent thoroughfare of cooperative palaces, Pall Mall. The furniture was battered and dingy; the sofa on which Logan sprawled had a certain historic interest: it was covered with cloth of horsehair, now seldom found by the amateur. A bookcase with glass doors held a crowd of books to which the amateur would at once have flown. They were in 'boards' of faded blue, and the paper labels bore alluring names: they were all First Editions of the…mehr

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Produktbeschreibung
The scene was a dusky shabby little room in Ryder Street. To such caves many repair whose days are passed, and whose food is consumed, in the clubs of the adjacent thoroughfare of cooperative palaces, Pall Mall. The furniture was battered and dingy; the sofa on which Logan sprawled had a certain historic interest: it was covered with cloth of horsehair, now seldom found by the amateur. A bookcase with glass doors held a crowd of books to which the amateur would at once have flown. They were in 'boards' of faded blue, and the paper labels bore alluring names: they were all First Editions of the most desirable kind. The bottles in the liqueur case were antique; a coat of arms, not undistinguished, was in relief on the silver stoppers. But the liquors in the flasks were humble and conventional. Merton, the tenant of the rooms, was in a Zingari cricketing coat; he occupied the arm-chair, while Logan, in evening dress, maintained a difficult equilibrium on the slippery sofa. Both men were of an age between twenty-five and twenty-nine, both were pleasant to the eye. Merton was, if anything, under the middle height: fair, slim, and active. As a freshman he had coxed his College Eight, later he rowed Bow in that vessel.
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Autorenporträt
Andrew Lang (1844 - 1912) was a Scottish poet, novelist, literary critic and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him. Lang is now chiefly known for his publications on folklore, mythology and religion. The interest in folklore was from early life; he read John Ferguson McLennan before coming to Oxford, and then was influenced by E. B. Tylor. The earliest of his publications is Custom and Myth (1884). In Myth, Ritual and Religion (1887) he explained the "irrational" elements of mythology as survivals from more primitive forms. Lang's Making of Religion was heavily influenced by the 18th century idea of the "noble savage": in it, he maintained the existence of high spiritual ideas among so-called "savage" races, drawing parallels with the contemporary interest in occult phenomena in England. His Blue Fairy Book (1889) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by many other collections of fairy tales, collectively known as Andrew Lang's Fairy Books. In the preface of the Lilac Fairy Book he credits his wife with translating and transcribing most of the stories in the collections. Lang examined the origins of totemism in Social Origins (1903).