The Archaeology of Seeing provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art, sculpture, paintings, and more.
The Archaeology of Seeing provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art, sculpture, paintings, and more.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Liliana Janik is Assistant Director of Research, Deputy Director at the Cambridge Heritage Research Centre, and Fellow of Girton College, University of Cambridge. She leads research projects in Japan and Russia. She specialises in prehistoric art: rock art, sculpture, and neuroaesthetic approaches to art, as well as heritage of the landscape.
Inhaltsangabe
Introduction 1 How contemporary is prehistoric art? 2 The origins of art 3 The gallery: unveiling visual narrative 4 Power of display: the artist and the object 5 Embodiment and disembodiment: the corporality of visual art and interwoven landscapes 6 Portraiture and the reverence of the other 7 Conclusion
Introduction 1 How contemporary is prehistoric art? 2 The origins of art 3 The gallery: unveiling visual narrative 4 Power of display: the artist and the object 5 Embodiment and disembodiment: the corporality of visual art and interwoven landscapes 6 Portraiture and the reverence of the other 7 Conclusion
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