Diana Taylor is Professor of Performance Studies and Spanish and Director of the Hemispheric Institute on Performance and Politics at New York University. Among her books are Holy Terrors: Latin American Women Perform (coedited with Roselyn Costantino), Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s “Dirty War,” and Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America (with Juan Villegas), all also published by Duke University Press.
Inhaltsangabe
List of Illustrations ix Who, When, What, Why xiii 1. Acts of Transfer 1 2. Scenarios of Discovery: Reflections on Performance and Ethnography 53 3. Memory as Cultural Practice: Mestizaje, Hybridity, Transculturation 79 4. La Raza Cosmetica: Walter Mercado Performs Latino Psychic Space 110 5. False Identifications: Minority Populations Mourn Diana 133 6. "You Are Here": H.I.J.O.S. and the DNA of Performance 161 7. Staging Traumatic Memory: Yuyachkani 190 8. Denise Stoklos: The Politics of Decipherability 212 9. Lost in the Field of Vision: Witnessing September 11 237 10. Hemispheric Performances 266 Notes 279 Bibliography 303 Index 321
List of Illustrations ix Who, When, What, Why xiii 1. Acts of Transfer 1 2. Scenarios of Discovery: Reflections on Performance and Ethnography 53 3. Memory as Cultural Practice: Mestizaje, Hybridity, Transculturation 79 4. La Raza Cosmetica: Walter Mercado Performs Latino Psychic Space 110 5. False Identifications: Minority Populations Mourn Diana 133 6. "You Are Here": H.I.J.O.S. and the DNA of Performance 161 7. Staging Traumatic Memory: Yuyachkani 190 8. Denise Stoklos: The Politics of Decipherability 212 9. Lost in the Field of Vision: Witnessing September 11 237 10. Hemispheric Performances 266 Notes 279 Bibliography 303 Index 321
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