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A groundbreaking re-examination of the seminal 1913 New York art show.

Produktbeschreibung
A groundbreaking re-examination of the seminal 1913 New York art show.
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Autorenporträt
Authors Marilyn Satin Kushner is Curator and Head, Department of Prints, Photographs, and Architectural Collections at the New-York Historical Society; Kimberly Orcutt is the Curator of American Art at the New-York Historical Society; Casey Nelson Blake is Professor of History and American Studies at Columbia University. Contributors William C. Agee, Professor of Art History, Hunter College, City University of New York; Judith A. Barter, Field-McCormick Chair and Curator of American Art, The Art Institute of Chicago; Avis Berman, Writer and independent art historian; Daniel H. Borus, Professor of History, University of Rochester, New York; Leon Botstein, President, Bard College; Music Director, American Symphony Orchestra; Conductor Laureate, Jerusalem Symphony Orchestra; and Editor, The Musical Quarterly; Sarah Burns, Professor Emerita, Department of History of Art, Indiana University, Bloomington; Barbara Haskell, Curator of Early Twentieth Century Art, Whitney Museum of American Art, New York; Susan Hegeman, Associate Professor of English, University of Florida, Gainesville; Susan G. Larkin, Independent art historian and curator; Doïna Lemny, Assistant Curator of Modern Collections, National Museum of Modern Art, Centre Pompidou, Paris; Laurette E. McCarthy, Independent scholar and curator; Anne McCauley, Professor of the History of Photography and Modern Art, Princeton University, New Jersey; Virginia M. Mecklenburg, Senior Curator, Smithsonian American Art Museum, Washington DC; Charles Musser, Professor of Film Studies and American Studies, Yale University, New Haven, Connecticut;Francis M. Naumann, Francis M. Naumann Fine Art, LLC, New York; Roberta J. M. Olson, Curator of Drawings, New-York Historical Society; Didier Ottinger, Deputy Director, National Museum of Modern Art, Centre Pompidou, Paris; Max Page, Professor of Architecture and History, University of Massachusetts in Amherst; Aimée Brown Price, Independent art historian and curator; Gail Stavitsky, Chief Curator, Montclair Art Museum, New Jersey; Michael R. Taylor, Director, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire; Martha Tedeschi, Deputy Director for Art and Research, The Art Institute of Chicago; Carol Troyen, Curator Emerita of American Paintings, Museum of Fine Arts, Boston.