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A groundbreaking re-examination of the seminal 1913 New York art show.
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A groundbreaking re-examination of the seminal 1913 New York art show.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Giles
- Seitenzahl: 512
- Erscheinungstermin: 15. Oktober 2013
- Englisch
- Abmessung: 312mm x 263mm x 50mm
- Gewicht: 3524g
- ISBN-13: 9781907804045
- ISBN-10: 1907804048
- Artikelnr.: 37516965
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Giles
- Seitenzahl: 512
- Erscheinungstermin: 15. Oktober 2013
- Englisch
- Abmessung: 312mm x 263mm x 50mm
- Gewicht: 3524g
- ISBN-13: 9781907804045
- ISBN-10: 1907804048
- Artikelnr.: 37516965
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Authors Marilyn Satin Kushner is Curator and Head, Department of Prints, Photographs, and Architectural Collections at the New-York Historical Society; Kimberly Orcutt is the Curator of American Art at the New-York Historical Society; Casey Nelson Blake is Professor of History and American Studies at Columbia University. Contributors William C. Agee, Professor of Art History, Hunter College, City University of New York; Judith A. Barter, Field-McCormick Chair and Curator of American Art, The Art Institute of Chicago; Avis Berman, Writer and independent art historian; Daniel H. Borus, Professor of History, University of Rochester, New York; Leon Botstein, President, Bard College; Music Director, American Symphony Orchestra; Conductor Laureate, Jerusalem Symphony Orchestra; and Editor, The Musical Quarterly; Sarah Burns, Professor Emerita, Department of History of Art, Indiana University, Bloomington; Barbara Haskell, Curator of Early Twentieth Century Art, Whitney Museum of American Art, New York; Susan Hegeman, Associate Professor of English, University of Florida, Gainesville; Susan G. Larkin, Independent art historian and curator; Doïna Lemny, Assistant Curator of Modern Collections, National Museum of Modern Art, Centre Pompidou, Paris; Laurette E. McCarthy, Independent scholar and curator; Anne McCauley, Professor of the History of Photography and Modern Art, Princeton University, New Jersey; Virginia M. Mecklenburg, Senior Curator, Smithsonian American Art Museum, Washington DC; Charles Musser, Professor of Film Studies and American Studies, Yale University, New Haven, Connecticut;Francis M. Naumann, Francis M. Naumann Fine Art, LLC, New York; Roberta J. M. Olson, Curator of Drawings, New-York Historical Society; Didier Ottinger, Deputy Director, National Museum of Modern Art, Centre Pompidou, Paris; Max Page, Professor of Architecture and History, University of Massachusetts in Amherst; Aimée Brown Price, Independent art historian and curator; Gail Stavitsky, Chief Curator, Montclair Art Museum, New Jersey; Michael R. Taylor, Director, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire; Martha Tedeschi, Deputy Director for Art and Research, The Art Institute of Chicago; Carol Troyen, Curator Emerita of American Paintings, Museum of Fine Arts, Boston.
PRESIDENT'S FOREWORD
CURATORS' STATEMENT AND ACKNOWLEDGMENTS
MARILYN SATIN KUSHNER A Century of the Armory Show:Modernism and Myth
Organizers of the Armory Show
KIMBERLY ORCUTT Arthur B. Davies-Hero or Villain?
GAIL STAVITSKY Walt Kuhn: Armory Showman
LAURETTE E. McCARTHY Walter Pach: Agent of Modernism
SUSAN G. LARKIN "So many thrills, so much excitement": ElmerMacRae's Role
in the Armory Show
New York and the United States ca. 1913
CASEY NELSON BLAKE Greenwich Village Modernism: "The Essence of It AllWas
Communication"
MAX PAGE The Armory Show in the Provisional City
DANIEL H. BORUS The Armory Show and the Transformation of American Culture
LEON BOTSTEIN Echoes of the Armory Show:Modern Music in New York
ANNE McCAULEY The "Big Show" and the Little Galleries: Alfred Stieglitz and
the Search for Modern Art Photography in 1913
SUSAN HEGEMAN A "Wordminded People" Encounters the Armory Show
CHARLES MUSSER 1913: A Feminist Moment in the Arts
The Exhibition
EUROPEAN ART
DIDIER OTTINGER Off to the Armory Show!
Case Studies
FRANCIS M. NAUMANN "An Explosion in a Shingle Factory":Marcel Duchamp's
Nude Descending a Staircase(No.2)
MICHAEL R. TAYLOR "The Cuban who Outcubed the Cubists":Francis Picabia and
the 1913 Armory Show
WILLIAM C. AGEE Henri Matisse at the Armory Show-and Beyond
DOÏNA LEMNY Brancusi's Busts:Work in Progress
AIMÉE BROWN PRICE Puvis de Chavannes, Pioneer and Paragon of Modernism
AMERICAN ART
VIRGINIA M. MECKLENBURG Slouching toward Modernism: American Art at the
Armory Show
Case Studies
KIMBERLY ORCUTT Robert Henri's Manifesto
MARTHA TEDESCHI A Pre-Emptive Strike: John Marin and the Armory Show
MARILYN SATIN KUSHNER Morgan Russell: A "Barbarian" or American Avant-Garde
in Paris?
WILLIAM C. AGEE Morton Livingston Schamberg: A Short Life, a Major
Achievement
WORKS ON PAPER
ROBERTA J. M. OLSON Drawings at the Armory: The Currency of Change and
Modernism
MARILYN SATIN KUSHNER Revisiting Editions: Prints in the Armory Show
Responses
KIMBERLY ORCUTT "Public Verdict": Debating Modernism at the Armory Show
SARAH BURNS Cubist Comedy and Futurist Follies: The Visual Culture of the
Armory Show
Traveling Venues
JUDITH A. BARTER "The Great Confusion": The Armory Show in Chicago
CAROL TROYEN "Unwept, unhonored, and unsung": The Armory Show in Boston
Legacy
BARBARA HASKELL The Legacy of the Armory Show: Fiasco or Transformation?
AVIS BERMAN "Creating a New Epoch": American Collectors and Dealers and the
Armory Show
SELECTED BIBLIOGRAPHY
APPENDIX A The Complete 1913 Armory Show Checklist
APPENDIX B List ofWorks in the 1913 Armory Show by Gallery
NOTES
INDEX
CURATORS' STATEMENT AND ACKNOWLEDGMENTS
MARILYN SATIN KUSHNER A Century of the Armory Show:Modernism and Myth
Organizers of the Armory Show
KIMBERLY ORCUTT Arthur B. Davies-Hero or Villain?
GAIL STAVITSKY Walt Kuhn: Armory Showman
LAURETTE E. McCARTHY Walter Pach: Agent of Modernism
SUSAN G. LARKIN "So many thrills, so much excitement": ElmerMacRae's Role
in the Armory Show
New York and the United States ca. 1913
CASEY NELSON BLAKE Greenwich Village Modernism: "The Essence of It AllWas
Communication"
MAX PAGE The Armory Show in the Provisional City
DANIEL H. BORUS The Armory Show and the Transformation of American Culture
LEON BOTSTEIN Echoes of the Armory Show:Modern Music in New York
ANNE McCAULEY The "Big Show" and the Little Galleries: Alfred Stieglitz and
the Search for Modern Art Photography in 1913
SUSAN HEGEMAN A "Wordminded People" Encounters the Armory Show
CHARLES MUSSER 1913: A Feminist Moment in the Arts
The Exhibition
EUROPEAN ART
DIDIER OTTINGER Off to the Armory Show!
Case Studies
FRANCIS M. NAUMANN "An Explosion in a Shingle Factory":Marcel Duchamp's
Nude Descending a Staircase(No.2)
MICHAEL R. TAYLOR "The Cuban who Outcubed the Cubists":Francis Picabia and
the 1913 Armory Show
WILLIAM C. AGEE Henri Matisse at the Armory Show-and Beyond
DOÏNA LEMNY Brancusi's Busts:Work in Progress
AIMÉE BROWN PRICE Puvis de Chavannes, Pioneer and Paragon of Modernism
AMERICAN ART
VIRGINIA M. MECKLENBURG Slouching toward Modernism: American Art at the
Armory Show
Case Studies
KIMBERLY ORCUTT Robert Henri's Manifesto
MARTHA TEDESCHI A Pre-Emptive Strike: John Marin and the Armory Show
MARILYN SATIN KUSHNER Morgan Russell: A "Barbarian" or American Avant-Garde
in Paris?
WILLIAM C. AGEE Morton Livingston Schamberg: A Short Life, a Major
Achievement
WORKS ON PAPER
ROBERTA J. M. OLSON Drawings at the Armory: The Currency of Change and
Modernism
MARILYN SATIN KUSHNER Revisiting Editions: Prints in the Armory Show
Responses
KIMBERLY ORCUTT "Public Verdict": Debating Modernism at the Armory Show
SARAH BURNS Cubist Comedy and Futurist Follies: The Visual Culture of the
Armory Show
Traveling Venues
JUDITH A. BARTER "The Great Confusion": The Armory Show in Chicago
CAROL TROYEN "Unwept, unhonored, and unsung": The Armory Show in Boston
Legacy
BARBARA HASKELL The Legacy of the Armory Show: Fiasco or Transformation?
AVIS BERMAN "Creating a New Epoch": American Collectors and Dealers and the
Armory Show
SELECTED BIBLIOGRAPHY
APPENDIX A The Complete 1913 Armory Show Checklist
APPENDIX B List ofWorks in the 1913 Armory Show by Gallery
NOTES
INDEX
PRESIDENT'S FOREWORD
CURATORS' STATEMENT AND ACKNOWLEDGMENTS
MARILYN SATIN KUSHNER A Century of the Armory Show:Modernism and Myth
Organizers of the Armory Show
KIMBERLY ORCUTT Arthur B. Davies-Hero or Villain?
GAIL STAVITSKY Walt Kuhn: Armory Showman
LAURETTE E. McCARTHY Walter Pach: Agent of Modernism
SUSAN G. LARKIN "So many thrills, so much excitement": ElmerMacRae's Role
in the Armory Show
New York and the United States ca. 1913
CASEY NELSON BLAKE Greenwich Village Modernism: "The Essence of It AllWas
Communication"
MAX PAGE The Armory Show in the Provisional City
DANIEL H. BORUS The Armory Show and the Transformation of American Culture
LEON BOTSTEIN Echoes of the Armory Show:Modern Music in New York
ANNE McCAULEY The "Big Show" and the Little Galleries: Alfred Stieglitz and
the Search for Modern Art Photography in 1913
SUSAN HEGEMAN A "Wordminded People" Encounters the Armory Show
CHARLES MUSSER 1913: A Feminist Moment in the Arts
The Exhibition
EUROPEAN ART
DIDIER OTTINGER Off to the Armory Show!
Case Studies
FRANCIS M. NAUMANN "An Explosion in a Shingle Factory":Marcel Duchamp's
Nude Descending a Staircase(No.2)
MICHAEL R. TAYLOR "The Cuban who Outcubed the Cubists":Francis Picabia and
the 1913 Armory Show
WILLIAM C. AGEE Henri Matisse at the Armory Show-and Beyond
DOÏNA LEMNY Brancusi's Busts:Work in Progress
AIMÉE BROWN PRICE Puvis de Chavannes, Pioneer and Paragon of Modernism
AMERICAN ART
VIRGINIA M. MECKLENBURG Slouching toward Modernism: American Art at the
Armory Show
Case Studies
KIMBERLY ORCUTT Robert Henri's Manifesto
MARTHA TEDESCHI A Pre-Emptive Strike: John Marin and the Armory Show
MARILYN SATIN KUSHNER Morgan Russell: A "Barbarian" or American Avant-Garde
in Paris?
WILLIAM C. AGEE Morton Livingston Schamberg: A Short Life, a Major
Achievement
WORKS ON PAPER
ROBERTA J. M. OLSON Drawings at the Armory: The Currency of Change and
Modernism
MARILYN SATIN KUSHNER Revisiting Editions: Prints in the Armory Show
Responses
KIMBERLY ORCUTT "Public Verdict": Debating Modernism at the Armory Show
SARAH BURNS Cubist Comedy and Futurist Follies: The Visual Culture of the
Armory Show
Traveling Venues
JUDITH A. BARTER "The Great Confusion": The Armory Show in Chicago
CAROL TROYEN "Unwept, unhonored, and unsung": The Armory Show in Boston
Legacy
BARBARA HASKELL The Legacy of the Armory Show: Fiasco or Transformation?
AVIS BERMAN "Creating a New Epoch": American Collectors and Dealers and the
Armory Show
SELECTED BIBLIOGRAPHY
APPENDIX A The Complete 1913 Armory Show Checklist
APPENDIX B List ofWorks in the 1913 Armory Show by Gallery
NOTES
INDEX
CURATORS' STATEMENT AND ACKNOWLEDGMENTS
MARILYN SATIN KUSHNER A Century of the Armory Show:Modernism and Myth
Organizers of the Armory Show
KIMBERLY ORCUTT Arthur B. Davies-Hero or Villain?
GAIL STAVITSKY Walt Kuhn: Armory Showman
LAURETTE E. McCARTHY Walter Pach: Agent of Modernism
SUSAN G. LARKIN "So many thrills, so much excitement": ElmerMacRae's Role
in the Armory Show
New York and the United States ca. 1913
CASEY NELSON BLAKE Greenwich Village Modernism: "The Essence of It AllWas
Communication"
MAX PAGE The Armory Show in the Provisional City
DANIEL H. BORUS The Armory Show and the Transformation of American Culture
LEON BOTSTEIN Echoes of the Armory Show:Modern Music in New York
ANNE McCAULEY The "Big Show" and the Little Galleries: Alfred Stieglitz and
the Search for Modern Art Photography in 1913
SUSAN HEGEMAN A "Wordminded People" Encounters the Armory Show
CHARLES MUSSER 1913: A Feminist Moment in the Arts
The Exhibition
EUROPEAN ART
DIDIER OTTINGER Off to the Armory Show!
Case Studies
FRANCIS M. NAUMANN "An Explosion in a Shingle Factory":Marcel Duchamp's
Nude Descending a Staircase(No.2)
MICHAEL R. TAYLOR "The Cuban who Outcubed the Cubists":Francis Picabia and
the 1913 Armory Show
WILLIAM C. AGEE Henri Matisse at the Armory Show-and Beyond
DOÏNA LEMNY Brancusi's Busts:Work in Progress
AIMÉE BROWN PRICE Puvis de Chavannes, Pioneer and Paragon of Modernism
AMERICAN ART
VIRGINIA M. MECKLENBURG Slouching toward Modernism: American Art at the
Armory Show
Case Studies
KIMBERLY ORCUTT Robert Henri's Manifesto
MARTHA TEDESCHI A Pre-Emptive Strike: John Marin and the Armory Show
MARILYN SATIN KUSHNER Morgan Russell: A "Barbarian" or American Avant-Garde
in Paris?
WILLIAM C. AGEE Morton Livingston Schamberg: A Short Life, a Major
Achievement
WORKS ON PAPER
ROBERTA J. M. OLSON Drawings at the Armory: The Currency of Change and
Modernism
MARILYN SATIN KUSHNER Revisiting Editions: Prints in the Armory Show
Responses
KIMBERLY ORCUTT "Public Verdict": Debating Modernism at the Armory Show
SARAH BURNS Cubist Comedy and Futurist Follies: The Visual Culture of the
Armory Show
Traveling Venues
JUDITH A. BARTER "The Great Confusion": The Armory Show in Chicago
CAROL TROYEN "Unwept, unhonored, and unsung": The Armory Show in Boston
Legacy
BARBARA HASKELL The Legacy of the Armory Show: Fiasco or Transformation?
AVIS BERMAN "Creating a New Epoch": American Collectors and Dealers and the
Armory Show
SELECTED BIBLIOGRAPHY
APPENDIX A The Complete 1913 Armory Show Checklist
APPENDIX B List ofWorks in the 1913 Armory Show by Gallery
NOTES
INDEX