A¿middleweight amateur boxer, David Scott is a professor of French (textual and visual studies) at Trinity College in Dublin. He is the author of several books on semiotics, including Semiologies of Travel from Gautier to Baudrillard, European Stamp Design: A Semiotic Approach, and Pictorialist Poetics: Poetry and the Visual Arts in Nineteenth-Century France. ¿ Roger L. Conover is a writer, curator, and the executive editor of the MIT Press, where he publishes books on art, architecture, and cultural studies. He also is the former boxing commissioner for the state of Maine.
A¿middleweight amateur boxer, David Scott is a professor of French (textual and visual studies) at Trinity College in Dublin. He is the author of several books on semiotics, including Semiologies of Travel from Gautier to Baudrillard, European Stamp Design: A Semiotic Approach, and Pictorialist Poetics: Poetry and the Visual Arts in Nineteenth-Century France. ¿ Roger L. Conover is a writer, curator, and the executive editor of the MIT Press, where he publishes books on art, architecture, and cultural studies. He also is the former boxing commissioner for the state of Maine.
A middleweight amateur boxer, David Scott is a professor of French (textual and visual studies) at Trinity College in Dublin. He is the author of several books on semiotics, including Semiologies of Travel from Gautier to Baudrillard, European Stamp Design: A Semiotic Approach, and Pictorialist Poetics: Poetry and the Visual Arts in Nineteenth-Century France. Roger L. Conover is a writer, curator, and the executive editor of the MIT Press, where he publishes books on art, architecture, and cultural studies. He also is the former boxing commissioner for the state of Maine.
Inhaltsangabe
List of Illustrations Foreword Acknowledgments Introduction
Part 1. Framing Violence: The Aesthetics of the Ring 1. The Evolution of Boxing as Regulated Action and Spectacle 2. Boxing Apparel and the Legible Body 3. The Ring and the Ropes
Part 2. The Art of Boxing 4. The Ring as Theater of Modernist Action 5. Visual Tensions: The Ropes 6. Mythical Confrontations: The Ring as Canvas and as Text 7. Visual Metonymies: The Fist and the Glove
Part 3. Writing Boxing 8. The Poetry of Boxing 9. Boxing and Modern Masculinity
List of Illustrations Foreword Acknowledgments Introduction
Part 1. Framing Violence: The Aesthetics of the Ring 1. The Evolution of Boxing as Regulated Action and Spectacle 2. Boxing Apparel and the Legible Body 3. The Ring and the Ropes
Part 2. The Art of Boxing 4. The Ring as Theater of Modernist Action 5. Visual Tensions: The Ropes 6. Mythical Confrontations: The Ring as Canvas and as Text 7. Visual Metonymies: The Fist and the Glove
Part 3. Writing Boxing 8. The Poetry of Boxing 9. Boxing and Modern Masculinity
Conclusion Notes References Index
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