'The Art and Ideology of the Trade Union Emblem, 1850-1925' is a groundbreaking book that considers trade union emblems and banners as art objects in their own right. It studies their commissioning, their designers and the social conditions and gender relations that they knowingly or unwittingly reveal.
'The Art and Ideology of the Trade Union Emblem, 1850-1925' is a groundbreaking book that considers trade union emblems and banners as art objects in their own right. It studies their commissioning, their designers and the social conditions and gender relations that they knowingly or unwittingly reveal.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr Annie Ravenhill-Johnson, born 1942, is from Jersey in the Channel Islands. She gained her BA (Hons) from the University of Warwick, and holds a postgraduate diploma with distinction and an MA with distinction in the history of art and design from the Birmingham Institute of Art and Design (University of Central England in Birmingham), where she also studied for her DPhil. Paula James was born in Southampton in 1950. She holds a PhD in Latin from the University of Southampton, and is a senior lecturer with the Classical Studies Department at the Open University, having held the post since 1993. She is also a staff tutor in the Arts Faculty of the Open University’s South East Region.
Inhaltsangabe
Preface Acknowledgements About the Authors List of Plates Introduction Chapter 1: The Genre Chapter 2: The Emblem within the Emblem Chapter 3: Depicting the Worker Chapter 4: James Sharples and His Legacy Chapter 5: The Development of the Architecture of the Emblem Chapter 6: Arthur John Waudby and the Symbols of Freemasonry Chapter 7: Men, Myths and Machines Chapter 8: The Classical Woman Chapter 9: Walter Crane Chapter 10: The Art of Copying Conclusion: Reprise and Review Notes Glossary Bibliography Index
Preface Acknowledgements About the Authors List of Plates Introduction Chapter 1: The Genre Chapter 2: The Emblem within the Emblem Chapter 3: Depicting the Worker Chapter 4: James Sharples and His Legacy Chapter 5: The Development of the Architecture of the Emblem Chapter 6: Arthur John Waudby and the Symbols of Freemasonry Chapter 7: Men, Myths and Machines Chapter 8: The Classical Woman Chapter 9: Walter Crane Chapter 10: The Art of Copying Conclusion: Reprise and Review Notes Glossary Bibliography Index
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