Michael Rizzo
The Art Direction Handbook for Film & Television
61,99 €
inkl. MwSt.
Versandkostenfrei*
Liefertermin unbestimmt
Melden Sie sich
hier
hier
für den Produktalarm an, um über die Verfügbarkeit des Produkts informiert zu werden.
31 °P sammeln
Michael Rizzo
The Art Direction Handbook for Film & Television
- Broschiertes Buch
Updated edition of: The art direction handbook for film.
Andere Kunden interessierten sich auch für
- Michael RizzoThe Art Direction Handbook for Film & Television261,99 €
- Patrick Tucker (The Original Shakespeare Company, London, UK)Secrets of Screen Acting42,99 €
- Paul WheelerHigh Definition Cinematography197,99 €
- Kenneth Kobre (USA San Francisco State University)Videojournalism62,99 €
- Lorene Wales (USA Liberty)The Complete Guide to Film and Digital Production195,99 €
- Peter Markham (Former Head of Directing, AFI Conservatory, USA)What's the Story? The Director Meets Their Screenplay54,99 €
- Rich NewmanCinematic Game Secrets for Creative Directors and Producers188,99 €
-
-
-
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- 2 ed
- Seitenzahl: 542
- Erscheinungstermin: 2. September 2014
- Englisch
- Abmessung: 233mm x 189mm x 32mm
- Gewicht: 1408g
- ISBN-13: 9780415842792
- ISBN-10: 0415842794
- Artikelnr.: 40545170
- Verlag: Taylor & Francis Ltd
- 2 ed
- Seitenzahl: 542
- Erscheinungstermin: 2. September 2014
- Englisch
- Abmessung: 233mm x 189mm x 32mm
- Gewicht: 1408g
- ISBN-13: 9780415842792
- ISBN-10: 0415842794
- Artikelnr.: 40545170
Michael Rizzo is a writer, artist, photographer, teacher, art director, and web designer. He currently works as the Art Director of GLEE at Paramount Studios. Among the films he has both art directed and production designed are Vanilla Sky, Notes from Underground, Joy Ride, My Fellow Americans, Rocketman, Gone Fishin¿, Murder in the First, So I Married an Axe Murderer, Body of Evidence, White Sands and My Cousin Vinny, and JFK. His TV credits include Glee, The Hunley, The Day Lincoln was Shot, The Lost Battalion, Ghost Whisperer, Comic Relief, Golden Gate, and All My Children.
Section 1: Pre-Production Process
Chapter 1: Introduction
Chapter 2: The Responsibilities, The Relationships, and The Setup
Chapter 3: Visual History
Chapter 4: The Design Process
Chapter 5: The Physical Design
Chapter 6: A Legacy of Historical Techniques
Chapter 7: CGI and Digital Filmmaking
Section 2: Production and Post-Production Processes
Chapter 8: Navigating Paperwork and Daily Shooting-Process Tasks
Chapter 9: Networking and Self-Promotion
Chapter 10: Non-Union vs. Union Status
Section 3: Appendices
Appendix A: Reference and Source Lists
Appendix B: Start Paperwork
Appendix C: Figure and Table List
Appendix D: Glossary
Chapter 1: Introduction
Chapter 2: The Responsibilities, The Relationships, and The Setup
Chapter 3: Visual History
Chapter 4: The Design Process
Chapter 5: The Physical Design
Chapter 6: A Legacy of Historical Techniques
Chapter 7: CGI and Digital Filmmaking
Section 2: Production and Post-Production Processes
Chapter 8: Navigating Paperwork and Daily Shooting-Process Tasks
Chapter 9: Networking and Self-Promotion
Chapter 10: Non-Union vs. Union Status
Section 3: Appendices
Appendix A: Reference and Source Lists
Appendix B: Start Paperwork
Appendix C: Figure and Table List
Appendix D: Glossary
Section 1: Pre-Production Process
Chapter 1: Introduction
Chapter 2: The Responsibilities, The Relationships, and The Setup
Chapter 3: Visual History
Chapter 4: The Design Process
Chapter 5: The Physical Design
Chapter 6: A Legacy of Historical Techniques
Chapter 7: CGI and Digital Filmmaking
Section 2: Production and Post-Production Processes
Chapter 8: Navigating Paperwork and Daily Shooting-Process Tasks
Chapter 9: Networking and Self-Promotion
Chapter 10: Non-Union vs. Union Status
Section 3: Appendices
Appendix A: Reference and Source Lists
Appendix B: Start Paperwork
Appendix C: Figure and Table List
Appendix D: Glossary
Chapter 1: Introduction
Chapter 2: The Responsibilities, The Relationships, and The Setup
Chapter 3: Visual History
Chapter 4: The Design Process
Chapter 5: The Physical Design
Chapter 6: A Legacy of Historical Techniques
Chapter 7: CGI and Digital Filmmaking
Section 2: Production and Post-Production Processes
Chapter 8: Navigating Paperwork and Daily Shooting-Process Tasks
Chapter 9: Networking and Self-Promotion
Chapter 10: Non-Union vs. Union Status
Section 3: Appendices
Appendix A: Reference and Source Lists
Appendix B: Start Paperwork
Appendix C: Figure and Table List
Appendix D: Glossary