-- The first edition of Gerald Lishka's book is required reading at New York University for a master's degree in dance. Michael Cherry, the Principal Pianist at American Ballet Theatre, recommended that this book be placed on the NYU reading list. Alison Hennessey is Chair of Dance and Creative Director at the California School of the Arts, she will contribute to sections of the manuscript relevant to her expertise. -- This is a revised and expanded edition of IUP's definitive guide on ballet accompaniment. -- Reissuing this book leverage's part of IUP's strong backlist and updating it…mehr
-- The first edition of Gerald Lishka's book is required reading at New York University for a master's degree in dance. Michael Cherry, the Principal Pianist at American Ballet Theatre, recommended that this book be placed on the NYU reading list. Alison Hennessey is Chair of Dance and Creative Director at the California School of the Arts, she will contribute to sections of the manuscript relevant to her expertise. -- This is a revised and expanded edition of IUP's definitive guide on ballet accompaniment. -- Reissuing this book leverage's part of IUP's strong backlist and updating it alongside other music performance guides and reference texts is a priority.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gerald R. Lishka plays for ballet in Los Angeles, California, and surrounding cities. His present affiliations include California School of the Arts-San Gabriel Valley, University of Southern California-Glorya Kaufman School of Dance, and C. Round Ballet Works. He has played formerly at, among others, Interlochen Arts Academy; the American Dance Festival; Indiana University Bloomington; Wayne State University Detroit; National Academy of Arts in Champaign, Illinois; Louisville Ballet; Westside School of Ballet in Santa Monica; and Pasadena Dance Theatre. Lishka holds Bachelor of Music and Master of Music degrees in piano from the University of Illinois-Champaign and did postgraduate work there and at Indiana University-Bloomington. He is author of A Handbook for the Ballet Accompanist.
Inhaltsangabe
Foreword by Kyra Nichols Preface Introduction: How I View the Art of Ballet Accompaniment 1. The Ballet Class 2. Advice and Guidance 3. Barre and Center Combinations 4. Suggested Piano Repertory for Barre and Center Work 5. Preparing and Arranging Piano Repertory for Ballet Class 6. Adapting Piano Repertory with Complex Phrasing Challenges: Four Advanced Lessons 7. Improvisation 8. Ballet-Related Accompanying Outside the Ballet Class Index of Steps
Foreword by Kyra Nichols Preface Introduction: How I View the Art of Ballet Accompaniment 1. The Ballet Class 2. Advice and Guidance 3. Barre and Center Combinations 4. Suggested Piano Repertory for Barre and Center Work 5. Preparing and Arranging Piano Repertory for Ballet Class 6. Adapting Piano Repertory with Complex Phrasing Challenges: Four Advanced Lessons 7. Improvisation 8. Ballet-Related Accompanying Outside the Ballet Class Index of Steps
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