The Art of Crime
The Plays and Film of Harold Pinter and David Mamet
Herausgeber: Kane, Leslie
The Art of Crime
The Plays and Film of Harold Pinter and David Mamet
Herausgeber: Kane, Leslie
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Andere Kunden interessierten sich auch für
- Michelene WandorPost-war British Drama59,99 €
- Tom HarrisonImitation and Contamination of the Classics in the Comedies of Ben Jonson65,99 €
- Peter GoodchildThe L.A. Theatre Works Audio Docudrama Series45,99 €
- Lynette HunterNegotiating Shakespeare's Language in Romeo and Juliet96,99 €
- Michael ImperioliWoke Up This Morning10,99 €
- Stephannie GearhartDrama and the Politics of Generational Conflict in Shakespeare's England63,99 €
- Contemporary African American Women Playwrights78,99 €
-
-
-
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 252
- Erscheinungstermin: 13. Mai 2016
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 345g
- ISBN-13: 9781138987524
- ISBN-10: 1138987522
- Artikelnr.: 57049114
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 252
- Erscheinungstermin: 13. Mai 2016
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 345g
- ISBN-13: 9781138987524
- ISBN-10: 1138987522
- Artikelnr.: 57049114
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Leslie Kane
Contents Acknowledgements Introduction 1. A Poetics for Thugs Varun Begley
2. You'll Never Be Without a Police Siren: Pinter and the Subject of Law
Marc Silverstein 3. Harold Pinter Before the Law Steven Price 4. Harold
Pinter's Ashes to Ashes: Violation, Empathy, and Historical Remembrance
Charles Grimes 5. Comedy and Crime: Pinter's Primal Power and Celebration
Penelope Prentice 6. Lost in the Funhouse: Pinter's Screenplay of Kafka's
The Trial Ann C. Hall 7. Lie Detectors: Pinter/Mamet and the Victorian
Concept of Crime Ira Nadel 8. Gradations of Criminality in the Plays of
David Mamet Kimball King 9. Melville's The Confidence Man and his
Descendants in David Mamet's Work Barry Goldensohn 10. Fantasy
Crimes/Fictional Lives: Lakeboat Anne M. Dean 11. David Mamet's House of
Games: Performance and the Already Played Elizabeth Klaver 12. More Uses of
the Knife as Signifier in The Cryptogram, The Old Religion, and The Edge
Thomas P. Adler 13. Mamet's The Edge as a Figura of Otherness Claire Magaha
14. Suckered Again: The Perfect Patsy and The Spanish Prisoner Leslie Kane
2. You'll Never Be Without a Police Siren: Pinter and the Subject of Law
Marc Silverstein 3. Harold Pinter Before the Law Steven Price 4. Harold
Pinter's Ashes to Ashes: Violation, Empathy, and Historical Remembrance
Charles Grimes 5. Comedy and Crime: Pinter's Primal Power and Celebration
Penelope Prentice 6. Lost in the Funhouse: Pinter's Screenplay of Kafka's
The Trial Ann C. Hall 7. Lie Detectors: Pinter/Mamet and the Victorian
Concept of Crime Ira Nadel 8. Gradations of Criminality in the Plays of
David Mamet Kimball King 9. Melville's The Confidence Man and his
Descendants in David Mamet's Work Barry Goldensohn 10. Fantasy
Crimes/Fictional Lives: Lakeboat Anne M. Dean 11. David Mamet's House of
Games: Performance and the Already Played Elizabeth Klaver 12. More Uses of
the Knife as Signifier in The Cryptogram, The Old Religion, and The Edge
Thomas P. Adler 13. Mamet's The Edge as a Figura of Otherness Claire Magaha
14. Suckered Again: The Perfect Patsy and The Spanish Prisoner Leslie Kane
Contents Acknowledgements Introduction 1. A Poetics for Thugs Varun Begley
2. You'll Never Be Without a Police Siren: Pinter and the Subject of Law
Marc Silverstein 3. Harold Pinter Before the Law Steven Price 4. Harold
Pinter's Ashes to Ashes: Violation, Empathy, and Historical Remembrance
Charles Grimes 5. Comedy and Crime: Pinter's Primal Power and Celebration
Penelope Prentice 6. Lost in the Funhouse: Pinter's Screenplay of Kafka's
The Trial Ann C. Hall 7. Lie Detectors: Pinter/Mamet and the Victorian
Concept of Crime Ira Nadel 8. Gradations of Criminality in the Plays of
David Mamet Kimball King 9. Melville's The Confidence Man and his
Descendants in David Mamet's Work Barry Goldensohn 10. Fantasy
Crimes/Fictional Lives: Lakeboat Anne M. Dean 11. David Mamet's House of
Games: Performance and the Already Played Elizabeth Klaver 12. More Uses of
the Knife as Signifier in The Cryptogram, The Old Religion, and The Edge
Thomas P. Adler 13. Mamet's The Edge as a Figura of Otherness Claire Magaha
14. Suckered Again: The Perfect Patsy and The Spanish Prisoner Leslie Kane
2. You'll Never Be Without a Police Siren: Pinter and the Subject of Law
Marc Silverstein 3. Harold Pinter Before the Law Steven Price 4. Harold
Pinter's Ashes to Ashes: Violation, Empathy, and Historical Remembrance
Charles Grimes 5. Comedy and Crime: Pinter's Primal Power and Celebration
Penelope Prentice 6. Lost in the Funhouse: Pinter's Screenplay of Kafka's
The Trial Ann C. Hall 7. Lie Detectors: Pinter/Mamet and the Victorian
Concept of Crime Ira Nadel 8. Gradations of Criminality in the Plays of
David Mamet Kimball King 9. Melville's The Confidence Man and his
Descendants in David Mamet's Work Barry Goldensohn 10. Fantasy
Crimes/Fictional Lives: Lakeboat Anne M. Dean 11. David Mamet's House of
Games: Performance and the Already Played Elizabeth Klaver 12. More Uses of
the Knife as Signifier in The Cryptogram, The Old Religion, and The Edge
Thomas P. Adler 13. Mamet's The Edge as a Figura of Otherness Claire Magaha
14. Suckered Again: The Perfect Patsy and The Spanish Prisoner Leslie Kane