The Art of Emergency charts the maneuvers of art through conflict zones across the African continent. Through ten cases, it advances diverse models for artistic and humanitarian alliances and urges deliberation on the role of aesthetics in crisis through intellectual engagement, artistic innovation, and administrative policy.
The Art of Emergency charts the maneuvers of art through conflict zones across the African continent. Through ten cases, it advances diverse models for artistic and humanitarian alliances and urges deliberation on the role of aesthetics in crisis through intellectual engagement, artistic innovation, and administrative policy.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Chérie Rivers Ndaliko is an interdisciplinary scholar, activist, and Director of Research and Education at the Yole!Africa cultural center in the DRC. The focus of her research is art and social justice in warzones. With data gathered through empirical research, ethnography, and community based participatory methods, she advocates for a paradigm shift in the application of arts activism within humanitarian and charitable aid. Her analyses of contemporary sociopolitical artworks draw from the fields of African studies, ethnomusicology, film/media studies, and cultural theory. Samuel Mark Anderson is an ethnographer who researches expressive culture and its encounters with violence, politics, and public health in Sierra Leone and elsewhere in West Africa. His work has been funded by the Social Science Research Council, the Charlotte W. Newcombe Foundation, and the U.S. Fulbright Program.
Inhaltsangabe
* The Art of Emergency: Introduction * Conversations from the Field Part I: Diagnoses * Part One: Demonstrate * 1. To Set to Work Even with a Broken Heart: * Musical Aesthetics of Collective Protests in South Africa * 2. Covering Emergency: * NGO Photographs of Stability in a Space of Ongoing Conflict * 3. Making a Difference?: * Musical Strategies Among Malawi's Volun-Tourists * Part Two: Distribute * 4. Mobutu's Ghost: * A Case for the Urgency of History in Cultural Aid * 5. Sexual Violence and the Politics of Forgiveness in Guinea: * Musical Interventions * 6. Sounding the Ethnic, Shaping the Nation: * Music and the Politics of Belonging from Colonial Myth to Cultural Peacekeeping in Mali * Part Three: Remediate * 7. Unraveling and Welding Together: * War's Transformative Influence on Contemporary Mozambican Art * 8. Humanitarian Theatre in the Great Lakes Region: * In Pursuit of Performativity * 9. Times Past Under Fire: * Accounting for the Efficacy of Reconciliation Rituals in Postwar Sierra Leone * 10. Mice, Cows, and Real Rwandans * The Folklore of Emergency in a Rwandan Refugee Camp * Conversations from the Field Part II: Proposals * Bibliography * Filmography
* The Art of Emergency: Introduction * Conversations from the Field Part I: Diagnoses * Part One: Demonstrate * 1. To Set to Work Even with a Broken Heart: * Musical Aesthetics of Collective Protests in South Africa * 2. Covering Emergency: * NGO Photographs of Stability in a Space of Ongoing Conflict * 3. Making a Difference?: * Musical Strategies Among Malawi's Volun-Tourists * Part Two: Distribute * 4. Mobutu's Ghost: * A Case for the Urgency of History in Cultural Aid * 5. Sexual Violence and the Politics of Forgiveness in Guinea: * Musical Interventions * 6. Sounding the Ethnic, Shaping the Nation: * Music and the Politics of Belonging from Colonial Myth to Cultural Peacekeeping in Mali * Part Three: Remediate * 7. Unraveling and Welding Together: * War's Transformative Influence on Contemporary Mozambican Art * 8. Humanitarian Theatre in the Great Lakes Region: * In Pursuit of Performativity * 9. Times Past Under Fire: * Accounting for the Efficacy of Reconciliation Rituals in Postwar Sierra Leone * 10. Mice, Cows, and Real Rwandans * The Folklore of Emergency in a Rwandan Refugee Camp * Conversations from the Field Part II: Proposals * Bibliography * Filmography
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