Andere Kunden interessierten sich auch für
![Harold Pinter]( "Harold Pinter")
Harold Pinter33,99 €![Bertolt Brecht]( "Bertolt Brecht")
Bertolt Brecht59,99 €![Embodied Playwriting]( "Embodied Playwriting")
Embodied Playwriting29,99 €![Appropriations of Irish Drama in Modern Korean Nationalist Theatre]( "Appropriations of Irish Drama in Modern Korean Nationalist Theatre")
Appropriations of Irish Drama in Modern Korean Nationalist Theatre202,99 €![Devised Theater's Collaborative Performance]( "Devised Theater's Collaborative Performance")
Devised Theater's Collaborative Performance65,99 €![The Routledge Dictionary of Performance and Contemporary Theatre]( "The Routledge Dictionary of Performance and Contemporary Theatre")
The Routledge Dictionary of Performance and Contemporary Theatre39,99 €![Integrating CBT and Third Wave Therapies]( "Integrating CBT and Third Wave Therapies")
Integrating CBT and Third Wave Therapies16,99 €
The Art of Experience provides an interdisciplinary analysis of selected plays from Ireland's premier female playwright, Marina Carr.
Dagmara Gizlo explores the transformative impact of a theatrical experience in which interdisciplinary boundaries must be crossed. This book demonstrates that theatre is therapeutic and therapy is theatrical. The role of emotions, cognitions, and empathy in the theatrical experience is investigated throughout. Dagmara Gizlo utilises the methodological tools stemming from modern empirically grounded psychology (such as cognitive-behavioural therapy or CBT) to the study of theatre's transformative potential.
This book will be of great interest to students and scholars of theatre, performance, and literature, and will be a fascinating read for those at the intersection of cognitive studies and the humanities.
Dagmara Gizlo explores the transformative impact of a theatrical experience in which interdisciplinary boundaries must be crossed. This book demonstrates that theatre is therapeutic and therapy is theatrical. The role of emotions, cognitions, and empathy in the theatrical experience is investigated throughout. Dagmara Gizlo utilises the methodological tools stemming from modern empirically grounded psychology (such as cognitive-behavioural therapy or CBT) to the study of theatre's transformative potential.
This book will be of great interest to students and scholars of theatre, performance, and literature, and will be a fascinating read for those at the intersection of cognitive studies and the humanities.