David Lodge
The Art of Fiction
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David Lodge
The Art of Fiction
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In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce.
In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Vintage Publishing
- Artikelnr. des Verlages: 650376
- Seitenzahl: 256
- Erscheinungstermin: 7. April 2011
- Englisch
- Abmessung: 198mm x 129mm x 19mm
- Gewicht: 180g
- ISBN-13: 9780099554240
- ISBN-10: 0099554240
- Artikelnr.: 32887768
- Verlag: Vintage Publishing
- Artikelnr. des Verlages: 650376
- Seitenzahl: 256
- Erscheinungstermin: 7. April 2011
- Englisch
- Abmessung: 198mm x 129mm x 19mm
- Gewicht: 180g
- ISBN-13: 9780099554240
- ISBN-10: 0099554240
- Artikelnr.: 32887768
David Lodge (CBE)'s novels include Changing Places, Small World and Nice Work (shortlisted for the Booker) and, most recently, A Man of Parts. He has also written plays and screenplays, and several books of literary criticism. His works have been translated into more than thirty languages. He is Emeritus Professor of English Literature at Birmingham, a Fellow of the Royal Society of Literature, and is a Chevalier de l'Ordre des Arts et des Lettres.
The Art of Fiction - David Lodge Preface
1. Beginning (Jane Austen, Ford Madox Ford)
2. The Intrusive Author (George Eliot, E. M. Forster)
3. Suspense (Thomas Hardy)
4. Teenage Skaz (J.D. Salinger)
5. The Epistolary Novel (Michael Frayn)
6. Point of View (Henry James)
7. Mystery (Rudyard Kipling)
8. Names (David Lodge, Paul Auster)
9. The Stream of Consciousness (Virginia Woolf)
10. Interior Monologue (James Joyce)
11. Defamiliarization (Charlotte Brontë
12. The Sense of Place (Martin Amis)
13. Lists (F. Scott Fitzgerald)
14. Introducing a Character (Christopher Isherwood)
15. Surprise (William Makepeace Thackeray)
16. Time-Shift (Muriel Spark)
17. The Reader in the Text (Laurence Sterne)
18. Weather (Jane Austen, Charles Dickens)
19. Repetition (Ernest Hemingway)
20. Fancy Prose (Vladimir Nabokov)
21. Intertextuality (Joseph Conrad)
22. The Experimental Novel (Henry Green)
23. The Comic Novel (Kingsley Amis)
24. Magic Realism (Milan Kundera)
25. Staying on the Surface (Malcolm Bradbury)
26. Showing and Telling (Henry Fielding)
27. Telling in Different Voices (Fay Weldon)
28. A Sense of the Past (John Fowles)
29. Imagining the Future (George Orwell)
30. Symbolism (D. H. Lawrence)
31. Allegory (Samuel Butler)
32. Epiphany (John Updike)
33. Coincidence (Henry James)
34. The Unreliable Narrator (Kazuo Ishiguro)
35. The Exotic (Graham Greene)
36. Chapters etc. (Tobias Smollett, Laurence Sterne, Sir Walter Scott,
George Eliot, James Joyce)
37. The Telephone (Evelyn Waugh)
38. Surrealism (Leonora Carrington)
39. Irony (Arnold Bennett)
40. Motivation (George Eliot)
41. Duration (Donald Barthelme)
42. Implication (William Cooper)
43. The Title (George Gissing)
44. Ideas (Anthony Burgess)
45. The Non-Fiction Novel (Thomas Carlyle)
46. Metafiction (John Barth)
47. The Uncanny (Edgar Allan Poe)
48. Narrative Structure (Leonard Michaels)
49. Aporia (Samuel Beckett)
50. Ending (Jane Austen, William Golding)
Bibliography of primary sources
Index of Names
1. Beginning (Jane Austen, Ford Madox Ford)
2. The Intrusive Author (George Eliot, E. M. Forster)
3. Suspense (Thomas Hardy)
4. Teenage Skaz (J.D. Salinger)
5. The Epistolary Novel (Michael Frayn)
6. Point of View (Henry James)
7. Mystery (Rudyard Kipling)
8. Names (David Lodge, Paul Auster)
9. The Stream of Consciousness (Virginia Woolf)
10. Interior Monologue (James Joyce)
11. Defamiliarization (Charlotte Brontë
12. The Sense of Place (Martin Amis)
13. Lists (F. Scott Fitzgerald)
14. Introducing a Character (Christopher Isherwood)
15. Surprise (William Makepeace Thackeray)
16. Time-Shift (Muriel Spark)
17. The Reader in the Text (Laurence Sterne)
18. Weather (Jane Austen, Charles Dickens)
19. Repetition (Ernest Hemingway)
20. Fancy Prose (Vladimir Nabokov)
21. Intertextuality (Joseph Conrad)
22. The Experimental Novel (Henry Green)
23. The Comic Novel (Kingsley Amis)
24. Magic Realism (Milan Kundera)
25. Staying on the Surface (Malcolm Bradbury)
26. Showing and Telling (Henry Fielding)
27. Telling in Different Voices (Fay Weldon)
28. A Sense of the Past (John Fowles)
29. Imagining the Future (George Orwell)
30. Symbolism (D. H. Lawrence)
31. Allegory (Samuel Butler)
32. Epiphany (John Updike)
33. Coincidence (Henry James)
34. The Unreliable Narrator (Kazuo Ishiguro)
35. The Exotic (Graham Greene)
36. Chapters etc. (Tobias Smollett, Laurence Sterne, Sir Walter Scott,
George Eliot, James Joyce)
37. The Telephone (Evelyn Waugh)
38. Surrealism (Leonora Carrington)
39. Irony (Arnold Bennett)
40. Motivation (George Eliot)
41. Duration (Donald Barthelme)
42. Implication (William Cooper)
43. The Title (George Gissing)
44. Ideas (Anthony Burgess)
45. The Non-Fiction Novel (Thomas Carlyle)
46. Metafiction (John Barth)
47. The Uncanny (Edgar Allan Poe)
48. Narrative Structure (Leonard Michaels)
49. Aporia (Samuel Beckett)
50. Ending (Jane Austen, William Golding)
Bibliography of primary sources
Index of Names
The Art of Fiction - David Lodge Preface
1. Beginning (Jane Austen, Ford Madox Ford)
2. The Intrusive Author (George Eliot, E. M. Forster)
3. Suspense (Thomas Hardy)
4. Teenage Skaz (J.D. Salinger)
5. The Epistolary Novel (Michael Frayn)
6. Point of View (Henry James)
7. Mystery (Rudyard Kipling)
8. Names (David Lodge, Paul Auster)
9. The Stream of Consciousness (Virginia Woolf)
10. Interior Monologue (James Joyce)
11. Defamiliarization (Charlotte Brontë
12. The Sense of Place (Martin Amis)
13. Lists (F. Scott Fitzgerald)
14. Introducing a Character (Christopher Isherwood)
15. Surprise (William Makepeace Thackeray)
16. Time-Shift (Muriel Spark)
17. The Reader in the Text (Laurence Sterne)
18. Weather (Jane Austen, Charles Dickens)
19. Repetition (Ernest Hemingway)
20. Fancy Prose (Vladimir Nabokov)
21. Intertextuality (Joseph Conrad)
22. The Experimental Novel (Henry Green)
23. The Comic Novel (Kingsley Amis)
24. Magic Realism (Milan Kundera)
25. Staying on the Surface (Malcolm Bradbury)
26. Showing and Telling (Henry Fielding)
27. Telling in Different Voices (Fay Weldon)
28. A Sense of the Past (John Fowles)
29. Imagining the Future (George Orwell)
30. Symbolism (D. H. Lawrence)
31. Allegory (Samuel Butler)
32. Epiphany (John Updike)
33. Coincidence (Henry James)
34. The Unreliable Narrator (Kazuo Ishiguro)
35. The Exotic (Graham Greene)
36. Chapters etc. (Tobias Smollett, Laurence Sterne, Sir Walter Scott,
George Eliot, James Joyce)
37. The Telephone (Evelyn Waugh)
38. Surrealism (Leonora Carrington)
39. Irony (Arnold Bennett)
40. Motivation (George Eliot)
41. Duration (Donald Barthelme)
42. Implication (William Cooper)
43. The Title (George Gissing)
44. Ideas (Anthony Burgess)
45. The Non-Fiction Novel (Thomas Carlyle)
46. Metafiction (John Barth)
47. The Uncanny (Edgar Allan Poe)
48. Narrative Structure (Leonard Michaels)
49. Aporia (Samuel Beckett)
50. Ending (Jane Austen, William Golding)
Bibliography of primary sources
Index of Names
1. Beginning (Jane Austen, Ford Madox Ford)
2. The Intrusive Author (George Eliot, E. M. Forster)
3. Suspense (Thomas Hardy)
4. Teenage Skaz (J.D. Salinger)
5. The Epistolary Novel (Michael Frayn)
6. Point of View (Henry James)
7. Mystery (Rudyard Kipling)
8. Names (David Lodge, Paul Auster)
9. The Stream of Consciousness (Virginia Woolf)
10. Interior Monologue (James Joyce)
11. Defamiliarization (Charlotte Brontë
12. The Sense of Place (Martin Amis)
13. Lists (F. Scott Fitzgerald)
14. Introducing a Character (Christopher Isherwood)
15. Surprise (William Makepeace Thackeray)
16. Time-Shift (Muriel Spark)
17. The Reader in the Text (Laurence Sterne)
18. Weather (Jane Austen, Charles Dickens)
19. Repetition (Ernest Hemingway)
20. Fancy Prose (Vladimir Nabokov)
21. Intertextuality (Joseph Conrad)
22. The Experimental Novel (Henry Green)
23. The Comic Novel (Kingsley Amis)
24. Magic Realism (Milan Kundera)
25. Staying on the Surface (Malcolm Bradbury)
26. Showing and Telling (Henry Fielding)
27. Telling in Different Voices (Fay Weldon)
28. A Sense of the Past (John Fowles)
29. Imagining the Future (George Orwell)
30. Symbolism (D. H. Lawrence)
31. Allegory (Samuel Butler)
32. Epiphany (John Updike)
33. Coincidence (Henry James)
34. The Unreliable Narrator (Kazuo Ishiguro)
35. The Exotic (Graham Greene)
36. Chapters etc. (Tobias Smollett, Laurence Sterne, Sir Walter Scott,
George Eliot, James Joyce)
37. The Telephone (Evelyn Waugh)
38. Surrealism (Leonora Carrington)
39. Irony (Arnold Bennett)
40. Motivation (George Eliot)
41. Duration (Donald Barthelme)
42. Implication (William Cooper)
43. The Title (George Gissing)
44. Ideas (Anthony Burgess)
45. The Non-Fiction Novel (Thomas Carlyle)
46. Metafiction (John Barth)
47. The Uncanny (Edgar Allan Poe)
48. Narrative Structure (Leonard Michaels)
49. Aporia (Samuel Beckett)
50. Ending (Jane Austen, William Golding)
Bibliography of primary sources
Index of Names