The Art of Fiction - James, Henry
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World-renowned novelist and short story author Henry James offers practical advice and considerable insight on what makes quality fiction, and how good writers can create it. A common theme seen in Henry James' works is contrasting the naivete and untrammeled freedom of the New World with the knowledgeable but corrupt nature of Europe and the Old World. Beginning with short stories while in his 20s, James quickly gained a reputation as a skilled wordsmith and compelling narrator. His innovative style was emblematic of new forms of penmanship which partly displaced and partly accentuated the…mehr

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Produktbeschreibung
World-renowned novelist and short story author Henry James offers practical advice and considerable insight on what makes quality fiction, and how good writers can create it. A common theme seen in Henry James' works is contrasting the naivete and untrammeled freedom of the New World with the knowledgeable but corrupt nature of Europe and the Old World. Beginning with short stories while in his 20s, James quickly gained a reputation as a skilled wordsmith and compelling narrator. His innovative style was emblematic of new forms of penmanship which partly displaced and partly accentuated the prevalent Romantic and Victorian literary forms. Much of Henry James teaching contains his opinions on the nature and purpose of fiction. His theories about what a novel should present - as entertainment, as art, and as a reflection upon the author - offer readers thoughtful and informed analysis of creative writing.
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Autorenporträt
Henry James (1843 - 1916) was an American-born British writer. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction.