The Art of Landscape Lighting takes the reader step-by-step through Janet Lennox Moyerâ s design process. Personal and accessible in tone, the book covers tools, equipment, techniques, effects, installation, design composition and challenges using built case studies spanning the authorâ s career.
The Art of Landscape Lighting takes the reader step-by-step through Janet Lennox Moyerâ s design process. Personal and accessible in tone, the book covers tools, equipment, techniques, effects, installation, design composition and challenges using built case studies spanning the authorâ s career.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Janet Lennox Moyer, FIALD, AOLP, COLD, 2018 IES Trailblazer & Icon, 2017 Michigan Lighting Hall of Fame, began her lighting design career in 1976, working on many diverse projects, from the Defense Intelligence Agency's first home in Washington, DC to winery caves, entertainment gardens and botanical gardens. She began specializing in landscape lighting in the mid-1980s and wrote the essential book used around the world, The Landscape Lighting Book, first released in 1992 and now in its third edition, integrating the disruptive technology LED. Jan began teaching in undergraduate school at Michigan State University, next at the University of Michigan, then at The Academy of Art, SF, UC Berkeley, Rutgers and the Lighting Research Center, among others. She founded The International Landscape Lighting Institute, ILLI, a 501(C)(3) educational non-profit still providing landscape lighting education classes in the US and abroad. Jan met George Gruel, graphic designer and photographer, during the last month of revisions for the second edition book in 2004. They married in 2005 and George produced a book of Jan's lighting projects, She Paints with Light, to help people visualize landscape lighting. Currently Jan is finishing the last of 20 videos for a new educational platform that Garden Light LED is producing with the IESNA called Learn¿Night¿Light. Jan and George live in Rio Verde, Arizona. Jan remains committed to sharing her knowledge and striving to raise the bar for the landscape lighting industry, as she would love everyone to be able to enjoy our planet's garden spaces after dark.
Inhaltsangabe
Section I: Learning to Paint with Light: Gathering Tools and Techniques 1. Learning the Visual Separation of Windows 2. Planning Visual Composition 3. Providing for Visual Cohesion 4. Lighting a Visual Destination as a Visual Cue 5. Sculpting Elements 6. Creating an Outdoor Room 7. Understanding People Moving Through Space: Physical and Visual 8. How Light Welcomes Guests 9. Seeing the Importance of Shadows Section II: Design Intuition Takes Over: Honing the Art 1. Refining and Expanding Design Techniques 2. Visual Composition 3. View Out a Window 4. Planning Movement Through Space 5. Visual Destination 6. Sculpting Elements 7. Responding to Project Challenges 8. Dealing with Radical Landscape Change 9. Renderings - Imagery to Assist Clients to Visualize Your Ideas 10. Shadows Define Space - Providing Emphasis or Finesse Section III: Not Just Another Light Source: Disruptive Technology Causes New Learning 1. My Client Bought the Property Next Door 2. Historic Property Gets Sculpture 3. Clients Keep Changing Their Art 4. A Very Quiet Place 5. Even More Quiet 6. Living Along the Top Edge of a Canyon 7. Living In the Sonoran Desert 8. Rio Verde Community Entrances 9. Introducing the Michael System by HKUSALighting Group 10. Arizona Thrives On Outdoor Living 11. Lighting Expands Outdoor Living Space 12. A Garden for Sculpture 13. George Calls It the Last Resort 14. Indoor and Outdoor Lighting Can Work Together Section IV: International Landscape Lighting Institute: Teaching via the Intensive Course 1. Explaining the Intensive Course 2. Design Teams Need to Work Together 3. Groups of Trees Create a Night Space 4. Saluki Park Mockup Areas 5. Mockups & Installations 6. A Vintage, Intensive Course, Flyer
Section I: Learning to Paint with Light: Gathering Tools and Techniques 1. Learning the Visual Separation of Windows 2. Planning Visual Composition 3. Providing for Visual Cohesion 4. Lighting a Visual Destination as a Visual Cue 5. Sculpting Elements 6. Creating an Outdoor Room 7. Understanding People Moving Through Space: Physical and Visual 8. How Light Welcomes Guests 9. Seeing the Importance of Shadows Section II: Design Intuition Takes Over: Honing the Art 1. Refining and Expanding Design Techniques 2. Visual Composition 3. View Out a Window 4. Planning Movement Through Space 5. Visual Destination 6. Sculpting Elements 7. Responding to Project Challenges 8. Dealing with Radical Landscape Change 9. Renderings - Imagery to Assist Clients to Visualize Your Ideas 10. Shadows Define Space - Providing Emphasis or Finesse Section III: Not Just Another Light Source: Disruptive Technology Causes New Learning 1. My Client Bought the Property Next Door 2. Historic Property Gets Sculpture 3. Clients Keep Changing Their Art 4. A Very Quiet Place 5. Even More Quiet 6. Living Along the Top Edge of a Canyon 7. Living In the Sonoran Desert 8. Rio Verde Community Entrances 9. Introducing the Michael System by HKUSALighting Group 10. Arizona Thrives On Outdoor Living 11. Lighting Expands Outdoor Living Space 12. A Garden for Sculpture 13. George Calls It the Last Resort 14. Indoor and Outdoor Lighting Can Work Together Section IV: International Landscape Lighting Institute: Teaching via the Intensive Course 1. Explaining the Intensive Course 2. Design Teams Need to Work Together 3. Groups of Trees Create a Night Space 4. Saluki Park Mockup Areas 5. Mockups & Installations 6. A Vintage, Intensive Course, Flyer
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