In The Art of Pure Cinema, Bruce Isaacs reexamines Alfred Hitchcock's filmography through the lens of what Hitchcock termed "the purest expression of a cinematic idea," and investigates whether or not Hitchcock actually achieved this ideal of pure cinema over his long and storied career.
In The Art of Pure Cinema, Bruce Isaacs reexamines Alfred Hitchcock's filmography through the lens of what Hitchcock termed "the purest expression of a cinematic idea," and investigates whether or not Hitchcock actually achieved this ideal of pure cinema over his long and storied career.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Bruce Isaacs is Associate Professor of Film Studies and Director of the Film Studies Program at the University of Sydney. He is the author of The Orientation of Future Cinema and Toward a New Film Aesthetic, and has published in leading journals on topics relating to the evolution of cinema as an art form.
Inhaltsangabe
* Acknowledgments * Introduction: The Myth of Pure Cinema * Part 1: The Evolution of Pure Cinema * Chapter 1: Pure Cinema in Context * Chapter 2: Hitchcock's Interlocutors * Part 2: The Mechanics of Pure Cinema * Chapter 3: The Part is Greater than the Whole: Toward an Aesthetic Philosophy of the Fragment * Chapter 4: The Fragmented Frame 1: Expression, Abstraction, Schematization * Chapter 5: Intensified Schematics: Bava, Argento, and De Palma's Body Double * Chapter 6: The Fragmented Frame 2: Segmentation * Chapter 7: Music You Can Hear: Toward an Abstract Soundscape * Conclusion: The Fractal Image in De Palma's Femme Fatale * Bibliography * Filmography
* Acknowledgments * Introduction: The Myth of Pure Cinema * Part 1: The Evolution of Pure Cinema * Chapter 1: Pure Cinema in Context * Chapter 2: Hitchcock's Interlocutors * Part 2: The Mechanics of Pure Cinema * Chapter 3: The Part is Greater than the Whole: Toward an Aesthetic Philosophy of the Fragment * Chapter 4: The Fragmented Frame 1: Expression, Abstraction, Schematization * Chapter 5: Intensified Schematics: Bava, Argento, and De Palma's Body Double * Chapter 6: The Fragmented Frame 2: Segmentation * Chapter 7: Music You Can Hear: Toward an Abstract Soundscape * Conclusion: The Fractal Image in De Palma's Femme Fatale * Bibliography * Filmography
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