The Art of Scandal advances a relatively simple claim with far-reaching consequences for modernist studies: writers and readers throughout the early twentieth century revived the long-despised codes and habits of the roman ¿lef as a key part of that larger assault on Victorian realism we now call modernism.
The Art of Scandal advances a relatively simple claim with far-reaching consequences for modernist studies: writers and readers throughout the early twentieth century revived the long-despised codes and habits of the roman ¿lef as a key part of that larger assault on Victorian realism we now call modernism.
Sean Latham is Professor of English at the University of Tulsa. He is the Director of the Modernist Journals Project and the author of Am I a Snob? Modernism and the Novel and Joyce's Modernism.
Inhaltsangabe
* Contents * Foreword vii * 1. Introduction: Fact, Fiction, and Pleasure 3 * 2. True Fictions and False Histories: The Secret Rise of the Roman à Clef 21 * 3. Open Secrets and Hidden Truths: Wilde and Freud 43 * 4. Libel: Policing the Laws of Fiction 69 * 5. The Novel at the Bar: Joyce, Lewis, and Libel 89 * 6. The Coterie as Commondity: Huxley, Lawrence, Rhys, and the Business of Revenge 124 * Notes 167 * Select Bibliography of Modernist Romans à Clef 193 * Index 197
* Contents * Foreword vii * 1. Introduction: Fact, Fiction, and Pleasure 3 * 2. True Fictions and False Histories: The Secret Rise of the Roman à Clef 21 * 3. Open Secrets and Hidden Truths: Wilde and Freud 43 * 4. Libel: Policing the Laws of Fiction 69 * 5. The Novel at the Bar: Joyce, Lewis, and Libel 89 * 6. The Coterie as Commondity: Huxley, Lawrence, Rhys, and the Business of Revenge 124 * Notes 167 * Select Bibliography of Modernist Romans à Clef 193 * Index 197
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