The Art of Tango offers a systematic exploration of the performance, arrangement and composition of the universally popular tango. The author discusses traditional practices, the De Caro school and the pioneering oeuvre of four celebrated innovators: Pugliese, Salgán, Piazzolla and Beytelmann.
The Art of Tango offers a systematic exploration of the performance, arrangement and composition of the universally popular tango. The author discusses traditional practices, the De Caro school and the pioneering oeuvre of four celebrated innovators: Pugliese, Salgán, Piazzolla and Beytelmann.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Bárbara Varassi Pega, PhD, is an Argentinean pianist, arranger, composer, researcher and educator specialized in tango music. Currently based in the Netherlands, she teaches at Codarts University of the Arts, Rotterdam, and Fontys University of Fine and Performing Arts, Tilburg.
Inhaltsangabe
Chapter 1: Introduction Chapter 2: Stylistic Norms of Tango Music - Its Main Materials and Techniques Chapter 3: Boedo and the De Caro School Chapter 4: Osvaldo Pugliese - His Life, Musical Style and Orchestra and His Contribution to Instrumental Tango Music Chapter 5: Horacio Salgán - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 6: Astor Piazzolla - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 7: Gustavo Beytelmann - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 8: Mendizábal's El entrerriano - Comparative Analysis of Arrangements by Pugliese, Salgán and Piazzolla Chapter 9: The Impact of this Artistic Research on my Own Music Chapter 10: Summary and Outlook
Chapter 1: Introduction Chapter 2: Stylistic Norms of Tango Music - Its Main Materials and Techniques Chapter 3: Boedo and the De Caro School Chapter 4: Osvaldo Pugliese - His Life, Musical Style and Orchestra and His Contribution to Instrumental Tango Music Chapter 5: Horacio Salgán - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 6: Astor Piazzolla - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 7: Gustavo Beytelmann - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 8: Mendizábal's El entrerriano - Comparative Analysis of Arrangements by Pugliese, Salgán and Piazzolla Chapter 9: The Impact of this Artistic Research on my Own Music Chapter 10: Summary and Outlook
Chapter 1: Introduction Chapter 2: Stylistic Norms of Tango Music - Its Main Materials and Techniques Chapter 3: Boedo and the De Caro School Chapter 4: Osvaldo Pugliese - His Life, Musical Style and Orchestra and His Contribution to Instrumental Tango Music Chapter 5: Horacio Salgán - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 6: Astor Piazzolla - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 7: Gustavo Beytelmann - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 8: Mendizábal's El entrerriano - Comparative Analysis of Arrangements by Pugliese, Salgán and Piazzolla Chapter 9: The Impact of this Artistic Research on my Own Music Chapter 10: Summary and Outlook
Chapter 1: Introduction Chapter 2: Stylistic Norms of Tango Music - Its Main Materials and Techniques Chapter 3: Boedo and the De Caro School Chapter 4: Osvaldo Pugliese - His Life, Musical Style and Orchestra and His Contribution to Instrumental Tango Music Chapter 5: Horacio Salgán - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 6: Astor Piazzolla - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 7: Gustavo Beytelmann - His Life, Musical Style and Ensembles and His Contribution to Instrumental Tango Music Chapter 8: Mendizábal's El entrerriano - Comparative Analysis of Arrangements by Pugliese, Salgán and Piazzolla Chapter 9: The Impact of this Artistic Research on my Own Music Chapter 10: Summary and Outlook
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