Kendra Preston Leonard
The Art Songs of Louise Talma
Kendra Preston Leonard
The Art Songs of Louise Talma
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The Art Songs of Louise Talma presents some of Talma's finest compositions and those most frequently performed during her life. It includes pieces appropriate for beginning, intermediate, and advanced singers and collaborative pianists. The songs include text settings of American, English, and French poets and writers, including Native
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The Art Songs of Louise Talma presents some of Talma's finest compositions and those most frequently performed during her life. It includes pieces appropriate for beginning, intermediate, and advanced singers and collaborative pianists. The songs include text settings of American, English, and French poets and writers, including Native
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 302
- Erscheinungstermin: 13. Dezember 2021
- Englisch
- Abmessung: 254mm x 178mm x 16mm
- Gewicht: 531g
- ISBN-13: 9781032242224
- ISBN-10: 1032242221
- Artikelnr.: 62995712
- Verlag: Taylor & Francis
- Seitenzahl: 302
- Erscheinungstermin: 13. Dezember 2021
- Englisch
- Abmessung: 254mm x 178mm x 16mm
- Gewicht: 531g
- ISBN-13: 9781032242224
- ISBN-10: 1032242221
- Artikelnr.: 62995712
Kendra Preston Leonard has her Ph.D. from the University of Sunderland and was an instructor of Musicology at Westminster Choir College, 2009-2011.
CHAPTER 1: Reading Talma's Songs
A Brief Overview of Talma's Life
Talma's Compositional Language
Appropriate Research Methodologies
Concerning This Volume
CHAPTER 2: Songs of Mourning and Love
"Invocation to the Rain" (1925)
"On the Surface of Things" (1926-1927)
"When the Storm Breaks" (1927-1928)
"Song in the Songless" (1928)
Five Sonnets from the Portuguese
"XXI. Say Over Again" (1934)
"VII. The Face of All the World Is Changed" (1934)
"XXII. When Our Two Souls Stand Up" (1934)
"I. I Thought Once How Theocritus Had Sung" (1934)
"XXXIII. Yes, Call Me by My Pet Name" (1934)
Vocal Ranges in the Early Songs
CHAPTER 3: Farewell to Youth
Terre de France (1945)
"Mère, voici vos fils" (1943)
"Sonnet" (1945)
"Ballade" (1945)
"Ode" (1945)
"Adieux à la Meuse" (1945)
"Letter to St. Peter" (1945)
Vocal Range
CHAPTER 4: A Haunted Psyche
Seven Songs
"One Need Not Be a Chamber to Be Haunted" (1941)
"Rain Song" (1973)
"Glory Be to God for Dappled Things" (1949)
"Spring and Fall: To a Young Child" (1946)
"Sonnet: Carrion Comfort" (1950)
"Sonnet: I Wake and Feel the Fell of the Dark" (1946)
"Leap before You Look" (1945)
CHAPTER 5: Metaphors of Music
Infanta Marina
"Infanta Marina" (1988)
"The Brave Man" (1988)
"Domination of Black" (1988)
"Ploughing on Sunday" (1988)
"Lunar Paraphrase" (1988)
"Hibiscus on the Sleeping Shores" (1988)
"A Load of Sugar-cane" (1988)
"Re-statement of Romance" (1990)
"The Pleasures of Merely Circulating" (1990)
"Finis" (1993)
BIBLOGRAPHY: Cited Sources and Suggested Readings
APPENDIX 1: Sources on the Vocal Works of Louise Talma
APPENDIX 2: The Complete Works for Voice by Louise Talma
APPENDIX 3: Recordings of Talma's Vocal Works
INDEX 1: Individuals, Places, and Ideas
INDEX 2: Titles of Musical Compositions
A Brief Overview of Talma's Life
Talma's Compositional Language
Appropriate Research Methodologies
Concerning This Volume
CHAPTER 2: Songs of Mourning and Love
"Invocation to the Rain" (1925)
"On the Surface of Things" (1926-1927)
"When the Storm Breaks" (1927-1928)
"Song in the Songless" (1928)
Five Sonnets from the Portuguese
"XXI. Say Over Again" (1934)
"VII. The Face of All the World Is Changed" (1934)
"XXII. When Our Two Souls Stand Up" (1934)
"I. I Thought Once How Theocritus Had Sung" (1934)
"XXXIII. Yes, Call Me by My Pet Name" (1934)
Vocal Ranges in the Early Songs
CHAPTER 3: Farewell to Youth
Terre de France (1945)
"Mère, voici vos fils" (1943)
"Sonnet" (1945)
"Ballade" (1945)
"Ode" (1945)
"Adieux à la Meuse" (1945)
"Letter to St. Peter" (1945)
Vocal Range
CHAPTER 4: A Haunted Psyche
Seven Songs
"One Need Not Be a Chamber to Be Haunted" (1941)
"Rain Song" (1973)
"Glory Be to God for Dappled Things" (1949)
"Spring and Fall: To a Young Child" (1946)
"Sonnet: Carrion Comfort" (1950)
"Sonnet: I Wake and Feel the Fell of the Dark" (1946)
"Leap before You Look" (1945)
CHAPTER 5: Metaphors of Music
Infanta Marina
"Infanta Marina" (1988)
"The Brave Man" (1988)
"Domination of Black" (1988)
"Ploughing on Sunday" (1988)
"Lunar Paraphrase" (1988)
"Hibiscus on the Sleeping Shores" (1988)
"A Load of Sugar-cane" (1988)
"Re-statement of Romance" (1990)
"The Pleasures of Merely Circulating" (1990)
"Finis" (1993)
BIBLOGRAPHY: Cited Sources and Suggested Readings
APPENDIX 1: Sources on the Vocal Works of Louise Talma
APPENDIX 2: The Complete Works for Voice by Louise Talma
APPENDIX 3: Recordings of Talma's Vocal Works
INDEX 1: Individuals, Places, and Ideas
INDEX 2: Titles of Musical Compositions
CHAPTER 1: Reading Talma's Songs
A Brief Overview of Talma's Life
Talma's Compositional Language
Appropriate Research Methodologies
Concerning This Volume
CHAPTER 2: Songs of Mourning and Love
"Invocation to the Rain" (1925)
"On the Surface of Things" (1926-1927)
"When the Storm Breaks" (1927-1928)
"Song in the Songless" (1928)
Five Sonnets from the Portuguese
"XXI. Say Over Again" (1934)
"VII. The Face of All the World Is Changed" (1934)
"XXII. When Our Two Souls Stand Up" (1934)
"I. I Thought Once How Theocritus Had Sung" (1934)
"XXXIII. Yes, Call Me by My Pet Name" (1934)
Vocal Ranges in the Early Songs
CHAPTER 3: Farewell to Youth
Terre de France (1945)
"Mère, voici vos fils" (1943)
"Sonnet" (1945)
"Ballade" (1945)
"Ode" (1945)
"Adieux à la Meuse" (1945)
"Letter to St. Peter" (1945)
Vocal Range
CHAPTER 4: A Haunted Psyche
Seven Songs
"One Need Not Be a Chamber to Be Haunted" (1941)
"Rain Song" (1973)
"Glory Be to God for Dappled Things" (1949)
"Spring and Fall: To a Young Child" (1946)
"Sonnet: Carrion Comfort" (1950)
"Sonnet: I Wake and Feel the Fell of the Dark" (1946)
"Leap before You Look" (1945)
CHAPTER 5: Metaphors of Music
Infanta Marina
"Infanta Marina" (1988)
"The Brave Man" (1988)
"Domination of Black" (1988)
"Ploughing on Sunday" (1988)
"Lunar Paraphrase" (1988)
"Hibiscus on the Sleeping Shores" (1988)
"A Load of Sugar-cane" (1988)
"Re-statement of Romance" (1990)
"The Pleasures of Merely Circulating" (1990)
"Finis" (1993)
BIBLOGRAPHY: Cited Sources and Suggested Readings
APPENDIX 1: Sources on the Vocal Works of Louise Talma
APPENDIX 2: The Complete Works for Voice by Louise Talma
APPENDIX 3: Recordings of Talma's Vocal Works
INDEX 1: Individuals, Places, and Ideas
INDEX 2: Titles of Musical Compositions
A Brief Overview of Talma's Life
Talma's Compositional Language
Appropriate Research Methodologies
Concerning This Volume
CHAPTER 2: Songs of Mourning and Love
"Invocation to the Rain" (1925)
"On the Surface of Things" (1926-1927)
"When the Storm Breaks" (1927-1928)
"Song in the Songless" (1928)
Five Sonnets from the Portuguese
"XXI. Say Over Again" (1934)
"VII. The Face of All the World Is Changed" (1934)
"XXII. When Our Two Souls Stand Up" (1934)
"I. I Thought Once How Theocritus Had Sung" (1934)
"XXXIII. Yes, Call Me by My Pet Name" (1934)
Vocal Ranges in the Early Songs
CHAPTER 3: Farewell to Youth
Terre de France (1945)
"Mère, voici vos fils" (1943)
"Sonnet" (1945)
"Ballade" (1945)
"Ode" (1945)
"Adieux à la Meuse" (1945)
"Letter to St. Peter" (1945)
Vocal Range
CHAPTER 4: A Haunted Psyche
Seven Songs
"One Need Not Be a Chamber to Be Haunted" (1941)
"Rain Song" (1973)
"Glory Be to God for Dappled Things" (1949)
"Spring and Fall: To a Young Child" (1946)
"Sonnet: Carrion Comfort" (1950)
"Sonnet: I Wake and Feel the Fell of the Dark" (1946)
"Leap before You Look" (1945)
CHAPTER 5: Metaphors of Music
Infanta Marina
"Infanta Marina" (1988)
"The Brave Man" (1988)
"Domination of Black" (1988)
"Ploughing on Sunday" (1988)
"Lunar Paraphrase" (1988)
"Hibiscus on the Sleeping Shores" (1988)
"A Load of Sugar-cane" (1988)
"Re-statement of Romance" (1990)
"The Pleasures of Merely Circulating" (1990)
"Finis" (1993)
BIBLOGRAPHY: Cited Sources and Suggested Readings
APPENDIX 1: Sources on the Vocal Works of Louise Talma
APPENDIX 2: The Complete Works for Voice by Louise Talma
APPENDIX 3: Recordings of Talma's Vocal Works
INDEX 1: Individuals, Places, and Ideas
INDEX 2: Titles of Musical Compositions