The Arthurian Revival

Essays on Form, Tradition, and Transformation
Herausgeber: Mancoff, Debra

• Broschiertes Buch

Produktbeschreibung

Discrete inquiries into 15 forms of the Arthurian legends produced over the last century explore how they have altered the tradition. They consider works from the US and Europe, and those aimed at popular and elite audiences. The overall conclusion is that the "Arthurian revival" is an ongoing event, and has become multivalent, multinational, and multimedia. Originally published in 1992.

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Routledge
• Seitenzahl: 358
• Erscheinungstermin: 26. November 2015
• Englisch
• Abmessung: 216mm x 140mm x 19mm
• Gewicht: 451g
• ISBN-13: 9781138997677
• ISBN-10: 1138997676
• Artikelnr.: 44733138

Inhaltsangabe

Introduction 1. Skirmishes at the Periphery: Edward Howard, Eglinton, and
Aristocratic Chivalry in Metropolitan Magazine Linda K. Hughes 2. Allegory
and Comedy in Bulwer-Lytton's King Arthur Mark Cumming 3. Teasing the King
John R. Reed 4. William Morris: Arthurian Innovator Rebecca Cochran 5. "The
True and the False": Tennyson's Idylls of the King and the Visual Arts
Christine Poulson 6. Sir Noel Paton and the Grail Quest: The Arthurian
Mythos as Christian Art Richard A. Schindler 7. Art's Moral Mission:
Reading G.F. Watts's Sir Galahad Marilynn Lincoln Board 8. American
Arthurian Authors: A Declaration of Independence Alan Lupack 9. From
Romance to Ritual: Wolfram, Arthur, and Wagner's Parsifal Edward R. Haymes
10. Toward the Condition of (Absolute) Music: Edward A. MacDowell and the
Arthurian Twilight Joe K. Law 11. Rutland Boughton's Arthurian Cycle
Michael Hurd 12. The First and Last Love: Morgan le Fay and Arthur Raymond
H. Thompson 13. The Broken Quest: The "Perceval" Romances of Chrètien de
Troyes and Eric Rohmer Bruce A. Beatie 14. Decapitation and Deconstruction:
The Body of the Hero in Robert Bresson's Lancelot du Lac Julie F. Codell
15. Whom Does the Grail Serve? Wagner, Spielberg, and the Issue of Jewish
Appropriation Martin B. Shichtman