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The monograph is devoted to the study of individual and author's concepts of Novalis' fairy tale world as a bright representative of the early Romanticism era. The study is aimed at studying the linguistic mechanism of formation and implementation of concepts and conceptospheres in Novalis' fairy tales. Theoretical basis of the study is the works of domestic and foreign authors in the field of linguoconceptology - cognitive linguistics, linguoculturology, text theory and artistic semantics and basic provisions of hermeneutics. The article presents the description of artistic conceptual sphere in Novalis' works as a result of author's individual thinking in linguoconceptological and linguocultural aspects. The author also developed and used complex methodology of conceptual analysis of artistic text, taking into account the specificity of artistic conceptualization processes in the Romanticism period. This work is of interest to linguists, postgraduate students of philological sciences, and all those interested in the problems of linguoconceptology and hermeneutics. The results of the study may find application in the courses on linguocultural studies, in the creation of textbooks on the linguistic analysis of the literary text.