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"As of 2019, the band Queen was the highest-ranking music 'group' in the world, according to the IFPI Global Artist Charts. Decades after their debut album in 1973, their popularity surpasses all contemporary groups as well as groups and artists of their generation. This is despite the loss of front man Freddie Mercury over 30 years ago and the fact that much of the band's catalogue predates 1991. Music industry practitioners and academics examine the many dimensions of Queen, consider what the future may hold for Queen and what lessons we can learn from them to inform future practice"--

Produktbeschreibung
"As of 2019, the band Queen was the highest-ranking music 'group' in the world, according to the IFPI Global Artist Charts. Decades after their debut album in 1973, their popularity surpasses all contemporary groups as well as groups and artists of their generation. This is despite the loss of front man Freddie Mercury over 30 years ago and the fact that much of the band's catalogue predates 1991. Music industry practitioners and academics examine the many dimensions of Queen, consider what the future may hold for Queen and what lessons we can learn from them to inform future practice"--
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Autorenporträt
Tony Rigg is a music industry professional and educator affiliated with the University of Central Lancashire, UK. He has occupied senior management roles in market-leading organisations, including Operations Director for Ministry of Sound. He co-edited and co-wrote Popular Music in the Post-digital Age: Politics, Economy, Culture and Technology (Bloomsbury, 2018), The Future of Live Music (Bloomsbury, 2020) and The Evolution of Electronic Dance Music (Bloomsbury, 2021) with Ewa Mazierska and The Present and Future of Music Law (Bloomsbury, 2021) with Ann Harrison. Platforms include Music Research Group social media platforms. Ewa Mazierska is a professor at the University of Central Lancashire, UK. She has published over 20 monographs and edited collections concerning popular culture and music. These include the collaborations with Rigg, Popular Polish Electronic Music, 1970-2020: A Cultural History (2021) and Popular Viennese Electronic Music, 1990-2015: A Cultural History (2019). Mazierska's work has been translated into many languages. She is the principal editor of a Routledge journal, Studies in Eastern European Cinema .