Martin Seel

The Arts of Cinema

Übersetzer: Walker, Kizer S

• Broschiertes Buch

Produktbeschreibung

In The Arts of Cinema, Martin Seel explores film's connections to the other arts and the qualities that distinguishe it from them. In nine concise and elegantly written chapters, he explores the cinema's singular aesthetic potential and uses specific examples from a diverse range of films--from Antonioni and Hitchcock to The Searchers and The Bourne Supremacy--to demonstrate the many ways this potential can be realized. Seel's analysis provides both a new perspective on film as a comprehensive aesthetic experience and a nuanced understanding of what the medium does to us once we are in the cinema.

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Produktdetails

• Verlag: Cornell University Press
• Seitenzahl: 180
• Erscheinungstermin: 15. Juli 2018
• Englisch
• Abmessung: 226mm x 150mm x 10mm
• Gewicht: 264g
• ISBN-13: 9781501726170
• ISBN-10: 150172617X
• Artikelnr.: 50022787

Autorenporträt

Martin Seel. translated by Kizer S. Walker

Inhaltsangabe

Opening Credits: Affairs
The Site of the Cinema
"Film"
The Course of Things
The Film Program 1. Film as Architecture: A Beginning
Division of Space
Ambient Sound
Some Opening Credits
Landscapes
Two Extremes
An Ending
Spatial Imagination
More Opening Credits 2. Film as Music: A Prelude
Time Connections
Action (1)
Double Motion
Action (2)
Spaces of Time
Higher Rhythm
Explosion 3. Film as Image: People Waiting
Pictorial Appearing
Image and Movement
Photography and Film
Another Trip
The Promise of Photography
Image Analysis
The Promise of Film
Another Ending 4. Film as Spectacle: Anarchy
Division of Space, Again
Virtuality
Sculpturality
Actors
Voices
Theatricality
Attractionism
Ecstasy 5. Film as Narrative: Three Films
Abstinence
Narrative Disposition
Telling Stories
Perspectivity
Filmic Storytelling
Cinema's Temporal Form
The Present Past 6. Film as Exploration: In Baghdad
Urban Landscapes
Realities
Processes of Documentation
A Double Promise
Techniques of Fiction
Questions of Style
Loss of Control
References to the World
The End 7. Film as Imagination: At Bakersfield
An Illusionistic Interpretation
The Figure of the Illusionist
Illusion and Immersion
Imagination Not Illusion
Photography and Film, Again
Twofold Attention
Illusion as a Technique
Caché 8. Film as Emotion: The End, Yet Again
The Illusionist's Final Appearance
Motion and Emotion
Corporeality
Sensate Understanding
Expressivity
Engagement
Twofold Attention, Again
Mixed Emotions
Godard 9. Film as Philosophy: Flashbacks
Another Affair
Three Dimensions
Cine
anthropology
Active Passivity
An Encore
Landscapes, Once Again Closing Credits: Notice
Thanks