Written by some of the most respected and accomplished scholars working in their fields, this volume illuminates the often contradictory impulses that have shaped the historical intersection of the arts, public culture, and the state in modern America.
Written by some of the most respected and accomplished scholars working in their fields, this volume illuminates the often contradictory impulses that have shaped the historical intersection of the arts, public culture, and the state in modern America.
Casey N. Blake is Professor of History and American Studies at Columbia University.
Inhaltsangabe
List of Figures Acknowledgments Introduction: Public Culture Reconsidered PART I. COMMERCIAL CULTURE AS PUBLIC CULTURE 1. Festival Culture, American Style —Neil Harris 2. Norman Rockwell, Public Artis —Michele H. Bogart PART II. CULTURAL POLICY AND THE STATE 3. Culture and the State in America —Michael Kammen 4. The Happy Few—en Masse: Franco-American Comparisons in Cultural Democratization —Vera L. Zolberg 5. Exporting America: The U.S. Propaganda Offensive, 1945-1959 —Laura A. Belmonte 6. The Goodwill Ambassador: Duke Ellington and Black Worldliness —Penny M. Von Eschen 7. A Modernist Vision: The Origins and Early Years of the National Endowment for the Arts' Visual Arts Program —Donna M. Binkiewicz 8. Between Civics and Politics: The Modernist Moment in Federal Public Art —Casey Nelson Blake PART III. THE ARTS AND CIVIC CULTURE AFTER MODERNISM 9. The Swirl of Image and Sound: On the Latest Version of Antirealism —Kenneth Cmiel 10. Public Attitudes toward Cultural Authority and Cultural Diversity in Higher Education and the Arts —Paul DiMaggio and Bethany Bryson 11. "Subtle, Intangible, and Non-Quantifiable": Aesthetics, Law, and Speech in Public Space —Leslie Prosterman 12. The Public Display of Religion —Sally M. Promey Contributors Index
List of Figures Acknowledgments Introduction: Public Culture Reconsidered PART I. COMMERCIAL CULTURE AS PUBLIC CULTURE 1. Festival Culture, American Style —Neil Harris 2. Norman Rockwell, Public Artis —Michele H. Bogart PART II. CULTURAL POLICY AND THE STATE 3. Culture and the State in America —Michael Kammen 4. The Happy Few—en Masse: Franco-American Comparisons in Cultural Democratization —Vera L. Zolberg 5. Exporting America: The U.S. Propaganda Offensive, 1945-1959 —Laura A. Belmonte 6. The Goodwill Ambassador: Duke Ellington and Black Worldliness —Penny M. Von Eschen 7. A Modernist Vision: The Origins and Early Years of the National Endowment for the Arts' Visual Arts Program —Donna M. Binkiewicz 8. Between Civics and Politics: The Modernist Moment in Federal Public Art —Casey Nelson Blake PART III. THE ARTS AND CIVIC CULTURE AFTER MODERNISM 9. The Swirl of Image and Sound: On the Latest Version of Antirealism —Kenneth Cmiel 10. Public Attitudes toward Cultural Authority and Cultural Diversity in Higher Education and the Arts —Paul DiMaggio and Bethany Bryson 11. "Subtle, Intangible, and Non-Quantifiable": Aesthetics, Law, and Speech in Public Space —Leslie Prosterman 12. The Public Display of Religion —Sally M. Promey Contributors Index
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