The early modern period inherited and refashioned a culture of remembrance deeply-ingrained in the customs of Christian community. The Arts of Remembrance in Early Modern England maps the new terrain of remembrance in the post-Reformation and charts the creative re-fashioning of remembrance in material, textual and performance culture.
The early modern period inherited and refashioned a culture of remembrance deeply-ingrained in the customs of Christian community. The Arts of Remembrance in Early Modern England maps the new terrain of remembrance in the post-Reformation and charts the creative re-fashioning of remembrance in material, textual and performance culture.
Andrew Gordon and Thomas Rist are colleagues in the Department of English and the Centre for Early Modern Studies at the University of Aberdeen, Scotland.
Inhaltsangabe
Contents: Introduction: the arts of remembrance, Andrew Gordon and Thomas Rist; Part I Materials of Remembrance: Remembrance in the Eucharist, Lucy Wooding; Portraiture and memory amongst the middling elites in post-Reformation England, Robert Tittler; 'An arelome to this hous for ever': monumental fixtures and furnishings in the English domestic interior, c.1560-c.1660, Tara Hamling; Lines of descent: appropriations of ancestry in stone and parchment, Oliver D. Harris. Part II Textual Rites: Monuments and religion: George Herbert's poetic materials, Thomas Rist; 'Making it true': John Foxe's art of remembrance, Tom Healy; A tangled chronicle: the struggle over the memory of Edmund Campion, Gerard Kilroy; Literary memorialization and the posthumous construction of female authorship, Marie-Louise Coolahan. Part III Theatres of Remembrance: Shakespeare's arts of reenactment: Henry at Blackfriars, Richard at Rougemont, Philip Schwyzer; Scenic memory, Janette Dillon; The artificial figures and staging remembrance in Webster's The Duchess of Malfi, Rory Loughnane; The ghost of Pasquill: the comic afterlife and the afterlife of comedy on the Elizabethan stage, Andrew Gordon; Select bibliography; Index.
Contents: Introduction: the arts of remembrance, Andrew Gordon and Thomas Rist; Part I Materials of Remembrance: Remembrance in the Eucharist, Lucy Wooding; Portraiture and memory amongst the middling elites in post-Reformation England, Robert Tittler; 'An arelome to this hous for ever': monumental fixtures and furnishings in the English domestic interior, c.1560-c.1660, Tara Hamling; Lines of descent: appropriations of ancestry in stone and parchment, Oliver D. Harris. Part II Textual Rites: Monuments and religion: George Herbert's poetic materials, Thomas Rist; 'Making it true': John Foxe's art of remembrance, Tom Healy; A tangled chronicle: the struggle over the memory of Edmund Campion, Gerard Kilroy; Literary memorialization and the posthumous construction of female authorship, Marie-Louise Coolahan. Part III Theatres of Remembrance: Shakespeare's arts of reenactment: Henry at Blackfriars, Richard at Rougemont, Philip Schwyzer; Scenic memory, Janette Dillon; The artificial figures and staging remembrance in Webster's The Duchess of Malfi, Rory Loughnane; The ghost of Pasquill: the comic afterlife and the afterlife of comedy on the Elizabethan stage, Andrew Gordon; Select bibliography; Index.
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