Explores the motives, mass media attention and narrative interpretation of the November 2004 murder of Dutch filmmaker Theo van Gogh.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ron Eyerman is Professor of Sociology and Co-Director of the Center for Cultural Sociology at Yale University. He is the author of Cultural Trauma: Slavery and the Formation of African American Identity and Between Culture and Politics: Intellectuals in Modern Society; a co-author of Music and Social Movements: Mobilizing Traditions in the Twentieth Century; and a co-editor of Myth, Meaning, and Performance: Toward a New Cultural Sociology of the Arts.
Inhaltsangabe
Acknowledgments ix 1. Assassination as Public Performance: The Murder of Theo van Gogh 1 2. Mediating Social Drama 24 3. Perpetrators and Victims 56 4. The Clash of Civilizations: A Multicultural Drama 102 5. A Dutch Dilemma: Free Speech, Religious Freedom, and Multicultural Tolerance 141 6. Cultural Trauma and Social Drama 161 Notes 175 Bibliography 203 Index 215
Acknowledgments ix 1. Assassination as Public Performance: The Murder of Theo van Gogh 1 2. Mediating Social Drama 24 3. Perpetrators and Victims 56 4. The Clash of Civilizations: A Multicultural Drama 102 5. A Dutch Dilemma: Free Speech, Religious Freedom, and Multicultural Tolerance 141 6. Cultural Trauma and Social Drama 161 Notes 175 Bibliography 203 Index 215
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