This comprehensive guide to achieving success in the exciting and imaginative world of audio performance provides all the information that radio and audio novices need to get started.
This comprehensive guide to achieving success in the exciting and imaginative world of audio performance provides all the information that radio and audio novices need to get started.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
The late Robert L. Mott had a long career doing sound effects for films, cartoons, theater, commercials-and for radio (such as Gangbusters, Philip Morris Playhouse and Perry Mason), and television (including Ed Sullivan, Jackie Gleason, The Tonight Show, Playhouse 90, Captain Kangaroo and Bob Hope). Twice nominated for Emmy awards for Days of Our Lives, he also wrote for Dick Van Dyke and Red Skelton. The Academy of Television Arts and Science selected him for their website honoring the legends of live television.
Inhaltsangabe
Table of Contents Acknowledgments Preface 1. Voice Acting 2. Microphone Acting Techniques 3. Barkers, Burpers, and Screamers 4. Writing Tips for the Audio Theater 5. Picturing What You Write 6. Can Sounds Create Emotions? 7. The ABCs of Directing 8. Directing the Next Step Up 9. Comparing Audio Theater with Other Media 10. The Warm-Up 11. The Comedy Theater 12. Scenes, Comedy Sketches, Commercials and More 13. The Most Asked for SFX and How to Do Them 14. Creating the More Impossible Sounds Glossary Bibliography Index
Table of Contents Acknowledgments Preface 1. Voice Acting 2. Microphone Acting Techniques 3. Barkers, Burpers, and Screamers 4. Writing Tips for the Audio Theater 5. Picturing What You Write 6. Can Sounds Create Emotions? 7. The ABCs of Directing 8. Directing the Next Step Up 9. Comparing Audio Theater with Other Media 10. The Warm-Up 11. The Comedy Theater 12. Scenes, Comedy Sketches, Commercials and More 13. The Most Asked for SFX and How to Do Them 14. Creating the More Impossible Sounds Glossary Bibliography Index
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