The Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'.
The Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr. Budhaditya Chattopadhyay is a media artist, researcher, and writer; he holds a PhD in sound studies and artistic research from Leiden University, The Netherlands, an MA in new media from Aarhus University, Denmark, and a Diploma in cinema from Satyajit Ray Film and Television Institute, India; he has recently completed a one-year postdoctoral fellowship. Chattopadhyay has received numerous fellowships, residencies and international awards. His works have been widely exhibited, performed or presented across the globe. Chattopadhyay is the author of The Nomadic Listener (Errant Bodies Press, 2020) and Between the Headphones (Cambridge Scholars Publishing, 2021); his writings on various issues around sound and media arts regularly appear in peer-reviewed journals, and publications internationally. Website: http: //budhaditya.org
Inhaltsangabe
Part 1. Introduction Chapter 1: The first sound and the curiosity Chapter 2: The auditory context and signification Chapter 3: Key concepts and definitions Chapter 4: Approach and method Part 2: Sonic trajectories Chapter 5: Monaural soundtracks and recording (sonic) reality Chapter 6: Stereo sound and the expanded space Chapter 7: Digital surround sound and the mimetic site Part 3: On location and other stories Chapter 8: Land, field, meadow Chapter 9: Forest, jungle Chapter 10: Village, rural environment Chapter 11: Indoors Chapter 12: Riverbank, beach, island Chapter 13. Street, public squares, urban neighbourhood Chapter 14. Public transport Chapter 15. Airport Chapter 16. Underwater, outer space Part 4. Critical listening Chapter 17. Mapping the aesthetic choices in sound production Chapter 18: Auditory presence and better practice Chapter 19: The God of small sounds Chapter 20: Emerging trends and future directions bibliography
Part 1. Introduction Chapter 1: The first sound and the curiosity Chapter 2: The auditory context and signification Chapter 3: Key concepts and definitions Chapter 4: Approach and method Part 2: Sonic trajectories Chapter 5: Monaural soundtracks and recording (sonic) reality Chapter 6: Stereo sound and the expanded space Chapter 7: Digital surround sound and the mimetic site Part 3: On location and other stories Chapter 8: Land, field, meadow Chapter 9: Forest, jungle Chapter 10: Village, rural environment Chapter 11: Indoors Chapter 12: Riverbank, beach, island Chapter 13. Street, public squares, urban neighbourhood Chapter 14. Public transport Chapter 15. Airport Chapter 16. Underwater, outer space Part 4. Critical listening Chapter 17. Mapping the aesthetic choices in sound production Chapter 18: Auditory presence and better practice Chapter 19: The God of small sounds Chapter 20: Emerging trends and future directions bibliography
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