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The Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'.
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The Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'.
Produktdetails
- Produktdetails
- Music and the Moving Image
- Verlag: Edinburgh University Press
- Seitenzahl: 224
- Erscheinungstermin: 24. März 2023
- Englisch
- Abmessung: 226mm x 153mm x 14mm
- Gewicht: 364g
- ISBN-13: 9781474474399
- ISBN-10: 147447439X
- Artikelnr.: 63926046
- Music and the Moving Image
- Verlag: Edinburgh University Press
- Seitenzahl: 224
- Erscheinungstermin: 24. März 2023
- Englisch
- Abmessung: 226mm x 153mm x 14mm
- Gewicht: 364g
- ISBN-13: 9781474474399
- ISBN-10: 147447439X
- Artikelnr.: 63926046
Dr. Budhaditya Chattopadhyay is a media artist, researcher, and writer; he holds a PhD in sound studies and artistic research from Leiden University, The Netherlands, an MA in new media from Aarhus University, Denmark, and a Diploma in cinema from Satyajit Ray Film and Television Institute, India; he has recently completed a one-year postdoctoral fellowship. Chattopadhyay has received numerous fellowships, residencies and international awards. His works have been widely exhibited, performed or presented across the globe. Chattopadhyay is the author of The Nomadic Listener (Errant Bodies Press, 2020) and Between the Headphones (Cambridge Scholars Publishing, 2021); his writings on various issues around sound and media arts regularly appear in peer-reviewed journals, and publications internationally. Website: http: //budhaditya.org
Part 1. Introduction
Chapter 1: The first sound and the curiosity
Chapter 2: The auditory context and signification
Chapter 3: Key concepts and definitions
Chapter 4: Approach and method
Part 2: Sonic trajectories
Chapter 5: Monaural soundtracks and recording (sonic) reality
Chapter 6: Stereo sound and the expanded space
Chapter 7: Digital surround sound and the mimetic site
Part 3: On location and other stories
Chapter 8: Land, field, meadow
Chapter 9: Forest, jungle
Chapter 10: Village, rural environment
Chapter 11: Indoors
Chapter 12: Riverbank, beach, island
Chapter 13. Street, public squares, urban neighbourhood
Chapter 14. Public transport
Chapter 15. Airport
Chapter 16. Underwater, outer space
Part 4. Critical listening
Chapter 17. Mapping the aesthetic choices in sound production
Chapter 18: Auditory presence and better practice
Chapter 19: The God of small sounds
Chapter 20: Emerging trends and future directions
bibliography
Chapter 1: The first sound and the curiosity
Chapter 2: The auditory context and signification
Chapter 3: Key concepts and definitions
Chapter 4: Approach and method
Part 2: Sonic trajectories
Chapter 5: Monaural soundtracks and recording (sonic) reality
Chapter 6: Stereo sound and the expanded space
Chapter 7: Digital surround sound and the mimetic site
Part 3: On location and other stories
Chapter 8: Land, field, meadow
Chapter 9: Forest, jungle
Chapter 10: Village, rural environment
Chapter 11: Indoors
Chapter 12: Riverbank, beach, island
Chapter 13. Street, public squares, urban neighbourhood
Chapter 14. Public transport
Chapter 15. Airport
Chapter 16. Underwater, outer space
Part 4. Critical listening
Chapter 17. Mapping the aesthetic choices in sound production
Chapter 18: Auditory presence and better practice
Chapter 19: The God of small sounds
Chapter 20: Emerging trends and future directions
bibliography
Part 1. Introduction
Chapter 1: The first sound and the curiosity
Chapter 2: The auditory context and signification
Chapter 3: Key concepts and definitions
Chapter 4: Approach and method
Part 2: Sonic trajectories
Chapter 5: Monaural soundtracks and recording (sonic) reality
Chapter 6: Stereo sound and the expanded space
Chapter 7: Digital surround sound and the mimetic site
Part 3: On location and other stories
Chapter 8: Land, field, meadow
Chapter 9: Forest, jungle
Chapter 10: Village, rural environment
Chapter 11: Indoors
Chapter 12: Riverbank, beach, island
Chapter 13. Street, public squares, urban neighbourhood
Chapter 14. Public transport
Chapter 15. Airport
Chapter 16. Underwater, outer space
Part 4. Critical listening
Chapter 17. Mapping the aesthetic choices in sound production
Chapter 18: Auditory presence and better practice
Chapter 19: The God of small sounds
Chapter 20: Emerging trends and future directions
bibliography
Chapter 1: The first sound and the curiosity
Chapter 2: The auditory context and signification
Chapter 3: Key concepts and definitions
Chapter 4: Approach and method
Part 2: Sonic trajectories
Chapter 5: Monaural soundtracks and recording (sonic) reality
Chapter 6: Stereo sound and the expanded space
Chapter 7: Digital surround sound and the mimetic site
Part 3: On location and other stories
Chapter 8: Land, field, meadow
Chapter 9: Forest, jungle
Chapter 10: Village, rural environment
Chapter 11: Indoors
Chapter 12: Riverbank, beach, island
Chapter 13. Street, public squares, urban neighbourhood
Chapter 14. Public transport
Chapter 15. Airport
Chapter 16. Underwater, outer space
Part 4. Critical listening
Chapter 17. Mapping the aesthetic choices in sound production
Chapter 18: Auditory presence and better practice
Chapter 19: The God of small sounds
Chapter 20: Emerging trends and future directions
bibliography