The Autobiographical Turn in Germanophone Documentary and Experimental Film
Herausgeber: Curtis, Robin; Fenner, Angelica
The Autobiographical Turn in Germanophone Documentary and Experimental Film
Herausgeber: Curtis, Robin; Fenner, Angelica
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- Produkterinnerung
A volume of essays marking out a new, historically and culturally specific model for contemplating autobiographical non-fiction film and video.
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A volume of essays marking out a new, historically and culturally specific model for contemplating autobiographical non-fiction film and video.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- UK edition
- Seitenzahl: 350
- Erscheinungstermin: 1. November 2014
- Englisch
- Abmessung: 238mm x 159mm x 33mm
- Gewicht: 646g
- ISBN-13: 9781571139177
- ISBN-10: 1571139176
- Artikelnr.: 40756988
- Verlag: Boydell & Brewer
- UK edition
- Seitenzahl: 350
- Erscheinungstermin: 1. November 2014
- Englisch
- Abmessung: 238mm x 159mm x 33mm
- Gewicht: 646g
- ISBN-13: 9781571139177
- ISBN-10: 1571139176
- Artikelnr.: 40756988
Robin Curtis, Angelica Fenner
Preface and Acknowledgments Introduction "If people want to oppress you,
they make you say 'I'": Hito Steyerl in Conversation The Impertinence of
Saying "I": Sylvia Schedelbauer's Personal Documentaries Geography of a
Swiss Body: Peter Liechti's Hans im Glück Reading Helke Misselwitz's
Winter Adé as Multivocal Autobiography How Does It Feel to Be Foreign?
Negotiating German Belonging and Transnational Asianness in Experimental
Video Frankfurt Canteen: Eva Heldmann's fremd gehen. Gespräche mit meiner
Freundin Mediated Memories of Migration and the National Visual Archive:
Fatih Ak?n's Wir haben vergessen zurückzukehren History Runs through the
Family: Framing the Nazi Past in Recent Autobiographical Documentary
Clearing Out Family History: Thomas Haemmerli's Sieben Mulden und eine
Leiche Re-Authoring the Self: Brinkmann's Zorn From Death to Life: Wim
Wenders, Autobiography, and the Natural History of Cinema "Ich bin's,
Fassbinder," or The Timing of the Self Filmography and Sources Bibliography
Notes on the Contributors Index
they make you say 'I'": Hito Steyerl in Conversation The Impertinence of
Saying "I": Sylvia Schedelbauer's Personal Documentaries Geography of a
Swiss Body: Peter Liechti's Hans im Glück Reading Helke Misselwitz's
Winter Adé as Multivocal Autobiography How Does It Feel to Be Foreign?
Negotiating German Belonging and Transnational Asianness in Experimental
Video Frankfurt Canteen: Eva Heldmann's fremd gehen. Gespräche mit meiner
Freundin Mediated Memories of Migration and the National Visual Archive:
Fatih Ak?n's Wir haben vergessen zurückzukehren History Runs through the
Family: Framing the Nazi Past in Recent Autobiographical Documentary
Clearing Out Family History: Thomas Haemmerli's Sieben Mulden und eine
Leiche Re-Authoring the Self: Brinkmann's Zorn From Death to Life: Wim
Wenders, Autobiography, and the Natural History of Cinema "Ich bin's,
Fassbinder," or The Timing of the Self Filmography and Sources Bibliography
Notes on the Contributors Index
Preface and Acknowledgments Introduction "If people want to oppress you,
they make you say 'I'": Hito Steyerl in Conversation The Impertinence of
Saying "I": Sylvia Schedelbauer's Personal Documentaries Geography of a
Swiss Body: Peter Liechti's Hans im Glück Reading Helke Misselwitz's
Winter Adé as Multivocal Autobiography How Does It Feel to Be Foreign?
Negotiating German Belonging and Transnational Asianness in Experimental
Video Frankfurt Canteen: Eva Heldmann's fremd gehen. Gespräche mit meiner
Freundin Mediated Memories of Migration and the National Visual Archive:
Fatih Ak?n's Wir haben vergessen zurückzukehren History Runs through the
Family: Framing the Nazi Past in Recent Autobiographical Documentary
Clearing Out Family History: Thomas Haemmerli's Sieben Mulden und eine
Leiche Re-Authoring the Self: Brinkmann's Zorn From Death to Life: Wim
Wenders, Autobiography, and the Natural History of Cinema "Ich bin's,
Fassbinder," or The Timing of the Self Filmography and Sources Bibliography
Notes on the Contributors Index
they make you say 'I'": Hito Steyerl in Conversation The Impertinence of
Saying "I": Sylvia Schedelbauer's Personal Documentaries Geography of a
Swiss Body: Peter Liechti's Hans im Glück Reading Helke Misselwitz's
Winter Adé as Multivocal Autobiography How Does It Feel to Be Foreign?
Negotiating German Belonging and Transnational Asianness in Experimental
Video Frankfurt Canteen: Eva Heldmann's fremd gehen. Gespräche mit meiner
Freundin Mediated Memories of Migration and the National Visual Archive:
Fatih Ak?n's Wir haben vergessen zurückzukehren History Runs through the
Family: Framing the Nazi Past in Recent Autobiographical Documentary
Clearing Out Family History: Thomas Haemmerli's Sieben Mulden und eine
Leiche Re-Authoring the Self: Brinkmann's Zorn From Death to Life: Wim
Wenders, Autobiography, and the Natural History of Cinema "Ich bin's,
Fassbinder," or The Timing of the Self Filmography and Sources Bibliography
Notes on the Contributors Index