The Ballad of the White Horse - Chesterton, G. K.
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The Ballad of the White Horse is one of the last great epic poems in the English language. In the dark times before a unified England, warring tribes roved and sparred for territory across the British Isles. The Ballad of the White Horse records the deeds and military accomplishments of Alfred the Great as he defeats the invading Danes at the Battle of Ethandun. The poem follows the battle-from the gathering of the chiefs to the last war cry-with a care to rhythm, sound, and language that makes it a magnificent work of art as well as a vital piece of English history. Chesterton incorporates…mehr

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Produktbeschreibung
The Ballad of the White Horse is one of the last great epic poems in the English language. In the dark times before a unified England, warring tribes roved and sparred for territory across the British Isles. The Ballad of the White Horse records the deeds and military accomplishments of Alfred the Great as he defeats the invading Danes at the Battle of Ethandun. The poem follows the battle-from the gathering of the chiefs to the last war cry-with a care to rhythm, sound, and language that makes it a magnificent work of art as well as a vital piece of English history. Chesterton incorporates brilliant imagination, atmosphere, moral concern, chronological continuity, wisdom and fancy. He makes his stanzas reverberate with sound, and hurries his readers into the heart of the battle.
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Autorenporträt
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out. Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.