The Beast of Bradhurst Avenue and Other Stories - Schuyler, George S.
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Rediscover George S. Schuyler with a brand new collection of pulp fiction stories never before published in book form. George S. Schuyler was an African American journalist, social commentator and author with a very complicated legacy. Despite making history as the first Black American to publish a full-length work of satire and pioneering what is now known today as Afrofuturism, Schuyler's controversial political stance on race relations lead to his ostracization from the Black community and his near-erasure from African American literary history at large, with many of his works facing…mehr

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Produktbeschreibung
Rediscover George S. Schuyler with a brand new collection of pulp fiction stories never before published in book form. George S. Schuyler was an African American journalist, social commentator and author with a very complicated legacy. Despite making history as the first Black American to publish a full-length work of satire and pioneering what is now known today as Afrofuturism, Schuyler's controversial political stance on race relations lead to his ostracization from the Black community and his near-erasure from African American literary history at large, with many of his works facing limited publication or no publication at all. The Beast of Bradhurst Avenue and Other Stories collects four novellas previously serialized in the Pittsburgh Courier that have never been published in book form. Including Sugar Hill (1933), Devil Town (1933), Golden Gods (1933-1934), and the titular The Beast of Bradhurst Avenue (1934), this volume is both a celebration of Black pulp fiction and a reintroduction of George S. Schuyler to the modern reader. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.
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Autorenporträt
" George S. Schuyler (1895-1977) was an author, journalist, social commentator and somewhat controversial figure. Born in Providence, Rhode Island, Schuyler's formative years were shaped by his time in the U.S. military. Enlisting at age 17, Schuyler rose to the title of First Lieutenant before going AWOL due to a racist encounter with a Greek immigrant. Sentenced to five years for the abandonment, Schulyer was released after less than a year for being a model prisoner. In the aftermath of his release, he lived at the Phillis Wheatley Hotel in New York City, coming to learn the teachings of Black nationalist, Marcus Garvey. Not fully convinced of Garvey's teachings, Schuyler would separate himself from both Garveyism and socialism, contributing articles to the American Mercury and embracing capitalism. Embarking on a career in journalism, Schuyler would find success and acknowledgement for his editorial skills as he took on the role of Chief Editorial Writer at the Courier in 1926. That same year he would pen a controversial piece, "The Negro-Art Hokum"" for The Nation which-combined with his advocacy for capitalism-further alienated himself from his contemporaries. The article, which argued that art should not be segregated by race and that Black artist had no true style of their own, would inspire Langston Hughes' famous, "The Negro and The Racial Mountain." Five years after this, Schuyler would try his hand at a long fiction form, producing notable novels such as Slaves Today (1931), Black No More (1931), and Black Empire (1936-1938); and while Schuyler would continue to produce work up until the point of his death, it was his public and expilicit conservatism and opposition to the Civil Rights Movement of the 1960s-70s that would push both he and his literary work into obscurity. At the time of his death, his legacy and talent as a writer were so overshadowed by his politics that no one within Black circles wanted to interact with his work at all. Despite this, Schuyler produced some of the first satires by a Black writer and addressed intra-community issues at a time when most Black authors appealed solely to the middle-class. "