The Beetle - Marsh, Richard
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'The Beetle' tells the story of a fantastical creature, "born of neither god nor man," with supernatural and hypnotic powers, who stalks British politician Paul Lessingham through fin de siecle London in search of vengeance for the defilement of a sacred tomb in Egypt. Marsh's novel is of a piece with other sensational turn-of-the-century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple…mehr

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Produktbeschreibung
'The Beetle' tells the story of a fantastical creature, "born of neither god nor man," with supernatural and hypnotic powers, who stalks British politician Paul Lessingham through fin de siecle London in search of vengeance for the defilement of a sacred tomb in Egypt. Marsh's novel is of a piece with other sensational turn-of-the-century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late nineteenth-century novels (those of Wilkie Collins and Stoker, for example) to create suspense. Richard Marsh was the pseudonym of the British author born Richard Bernard Heldmann
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Autorenporträt
English writer Richard Marsh (1857 1915) is most remembered for producing a large body of popular literature in the late 19th and early 20th century. He was born in England as Richard Bernard Heldmann and used the pen name "Richard Marsh" for his writing. When Marsh started writing in the 1880s, he was well known for his ability to write engrossing mysteries, suspense, and otherworldly stories. Although Marsh wrote in a variety of genres, such as science fiction, horror, mystery, and romance, his contributions to the Victorian and Edwardian ghost story tradition are arguably what made him most famous. His works frequently combined the macabre and the bizarre, drawing comparisons to other highly regarded writers of the day like Bram Stoker and H.G. Wells.