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Examining the "bad belle" as a recurring character, this work finds that white southern women writers from the antebellum period to the present have used treacherous belles to subtly indict their culture from within. Combining the southern ideal of ladyhood with the sexual power of the dark seductress, the bad belle is the perfect figure with which to critique a culture that effectively enslaved both its white and black women. The text traces the development of the bad belle from 19th century domestic novelist E.D.E.N. Southworth to contemporary novelist Kaye Gibbons. Coy and alluring like the…mehr

Produktbeschreibung
Examining the "bad belle" as a recurring character, this work finds that white southern women writers from the antebellum period to the present have used treacherous belles to subtly indict their culture from within. Combining the southern ideal of ladyhood with the sexual power of the dark seductress, the bad belle is the perfect figure with which to critique a culture that effectively enslaved both its white and black women. The text traces the development of the bad belle from 19th century domestic novelist E.D.E.N. Southworth to contemporary novelist Kaye Gibbons. Coy and alluring like the traditional southern belle, the bad belle is also manipulative and knowing. By making the patriarch vulnerable to women who outwardly conform to the limiting conventions of womanhood but inwardly break all the rules, these writers challenged a society that stereotyped black women as promiscuous and forced white women onto pedestals while commiting heinous acts in their name.
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Autorenporträt
Betina Entzminger has published essays on southern writers in Mississippi Quarterly, Southern Quarterly, and College Literature. A native of South Carolina, she is assistant professor of English at Bloomsburg University in Pennsylvania.