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Massasoit Sachem, or Ousamequin (1581-1661), was the sachem or leader of the Wampanoag confederacy. "Massasoit" means "Great Sachem." This novel was not intended as a true recreation of Pilgram-era history; instead, it is the author's attempt to reconcile apparently conflicting historical facts and to explain an otherwise inexplicable situation concerning Native Americans and European settlers. At the time of the Pilgrims, all Native Americans-not excepting those of New England-had suffered repeated outrage at the hands of white men, and in no case had they been given any cause to love the…mehr

Produktbeschreibung
Massasoit Sachem, or Ousamequin (1581-1661), was the sachem or leader of the Wampanoag confederacy. "Massasoit" means "Great Sachem." This novel was not intended as a true recreation of Pilgram-era history; instead, it is the author's attempt to reconcile apparently conflicting historical facts and to explain an otherwise inexplicable situation concerning Native Americans and European settlers. At the time of the Pilgrims, all Native Americans-not excepting those of New England-had suffered repeated outrage at the hands of white men, and in no case had they been given any cause to love the invaders of their country or to welcome their presence. Why, then, did the powerful Massasoit permit a white invasion of his territory that he could so easily have crushed? Clearly a strong friendship existed from the very first between him and Edward Winslow, and Winslow seems to have exercised a great influence over the New England sachem. What was the origin of this friendship? The Narragansetts, while submitting to Massasoit's authority, were always in sullen opposition to it. Why? It is to answer these questions that Kirk Monroe constructed this tale, and he advances a convincing theory through it.
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Autorenporträt
Kirk Munroe (1850-1930) was an American writer and conservationist. He was born in a log cab near Prairie du Chien, Wisconsin, and spent most of his youth on the frontier. In 1876 he was hired as a reporter for the New York Sun, soon after which he became the first editor of Harper's Young People magazine. Where he worked and for whom varied greatly after that, but throughout his life he exhibited his love for writing, contributing titles such as Wakulla (1886), The Flamingo Feather (1887), and The White Conquerors, to name a few.