MR NORRIS CHANGES TRAINS The first of Christopher Isherwood's classic 'Berlin' novels, this portrays the encounter and growing friendship between young William Bradshaw and the urbane and mildly sinister Mr Norris. Piquant, witty and oblique, it vividly evokes the atmosphere of pre-war Berlin, and forcefully conveys an ironic political parable. GOODBYE TO BERLIN The inspiration for the stage and screen musical Cabaret and for the play I Am a Camera , this novel remains one of the most powerful of the century, a haunting evocation of the gathering storm of the Nazi terror. Told in a…mehr
The first of Christopher Isherwood's classic 'Berlin' novels, this portrays the encounter and growing friendship between young William Bradshaw and the urbane and mildly sinister Mr Norris. Piquant, witty and oblique, it vividly evokes the atmosphere of pre-war Berlin, and forcefully conveys an ironic political parable.
GOODBYE TO BERLIN
The inspiration for the stage and screen musical Cabaret and for the play I Am a Camera , this novel remains one of the most powerful of the century, a haunting evocation of the gathering storm of the Nazi terror. Told in a series of wry, detached and impressionistic vignettes, it is an unforgettable portrait of bohemian Berlin - a city and a world on the very brink of ruin. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Christopher Isherwood (1904-1986) was one of the most celebrated writers of his generation. He left Cambridge without graduating, briefly studied medicine and then turned to writing his first novels, All the Conspirators and The Memorial. Between 1929 and 1939 he lived mainly abroad, spending four years in Berlin and writing the novels Mr Norris Changes Trains and Goodbye to Berlin on which the musical Cabaret was based. He moved to America in 1939, becoming a US citizen in 1946, and wrote another five novels, including Down There on a Visit and A Single Man, a travel book about South America and a biography of the Indian mystic Ramakrishna. In the late 1960s and '70s he turned to autobiographical works: Kathleen and Frank, Christopher and His Kind, My Guru and His Disciple and October, one month of his diary with drawings by Don Bachardy.
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